Incarnation of archetypal images in piano performing arts (on the example of 10 pieces for piano from the ballet «Romeo and Juliet», op. 75 S. Prokofiev).

Воплощение архетипических образов в фортепианном исполнительском искусстве (на примере 10 пьес из балета «Ромео и Джульетта» для фортепиано соч. 75 С. Прокофьева)

  • Ekateryna Yergieva Odessa National A. V. Nezhdanova Academy of Music.
DOI: https://doi.org/10.31723/2524-0447-2014-20-551-563
Keywords: archetype, archetypal images, music basic forms, performance, intonation, communicative archetypes, protointonation.

Abstract

 

In the article on the example of 10 pieces from the ballet «Romeo and Juliet» by Sergei Prokofiev, intonation and communicative demonstration of archetypal images in performing interpretation of E. Kissin were studied. Audio-visual analysis of his interpretation of this work shows that he used both performing musical means of expression and psychosemantics and kinesics that conform thanks to his artistic psychotechnics with internal switching from one actor to another, from one psychological state to another and thus, contribute to organic incarnation of archetypal of Sergei Prokofiev cycle, to the establishment of an artistic communication with the public.
Keywords: archetype, archetypal images, music basic forms, performance, intonation, communicative archetypes, protointonation.

Author Biography

Ekateryna Yergieva, Odessa National A. V. Nezhdanova Academy of Music.

Yergieva Ekateryna Ivanivna - assistant-trainee of the piano department of the Odessa National A.V.Nezhdanova Academy of Music.

Published
2014-12-12
How to Cite
Yergieva, E. (2014). Incarnation of archetypal images in piano performing arts (on the example of 10 pieces for piano from the ballet «Romeo and Juliet», op. 75 S. Prokofiev). Music Art and Culturе, (20), 551-563. https://doi.org/https://doi.org/10.31723/2524-0447-2014-20-551-563
Issue
No 20 (2014): Music art and culture
Section
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE