Rhapsody concerto for domra with the orchestra by V.P. Zaderatskyi: composer’s interpretation of genre and style model.
Концерт-рапсодія для домри з оркестром В. П. Задерацького: композиторська інтерпретація жанрово-стильової моделі.
Abstract
The aim of the research is to reveal the features of the compositional approach to the invariant genre characteristics according to gradations of the style factor and to determine the level of correlation of individual creative solutions with traditional models. The research methodology combines analytical, genre and style approaches. Scientific novelty of the work is to identify the significance of the Concerto-rhapsody by V.P. Zaderatsky in the history of the formation and development of professional and academic domra performing arts.Conclusions. Features of the individual style of V.P. Zaderatsky, which influenced his interpretation of traditional genre-style models and conditioned the creation of a new "genre variant" are concluded in the presence of an neoromantic component in the individual style of the composer, which undoubtedly influenced his taste priorities when choosing genre-style models, striving for clarity and consistency in structural organization, as well as "neo-folklore", as a type of musical thinking of the composer.
Keywords: genre-style model, Zaderatsky V.P., composer interpretation, concert-rhapsody for domra and orchestra.
References
2. Vasyliev, V. (2010). Formation of the modern chamber-academic repertoire for bayan. Questions of modern bayan and accordion art. Collection of works of the Russian Academy of Music named after Gnesiny 2010. Isssue 178. p. 36-53 [in Russian].
3. Holiaka, H. (2008). Creativity of Volodymyr Zubitskyi in the context of the development of the hourly accordion repertoire: Extended abstract of candidate’s thesis. Kharkiv [in Uktainian].
4. Derevianchenko, O. (2005). New folk studies in the music of mysticism: statics and dynamics in the first half of the XX century. candidate’s thesis. Kiev, [in Uktainian].
5. Zaderatskyi, V. (2009). Per aspera… Moscow: Compositor [in Russian].
6. Saldan, S. (2006). Genre and style models for piano from Lviv compositor school of the XX century. candidate’s thesis. Kiev,[in Uktainian].
7. Tukova, I. (2002). ‘Creating genre’ and creativity ‘in the genre’. Scientific bulletin of the P. I. Tchaikovsky National Music academy of Ukraine. Musical work as creative process: collection of articles 2002, Issue 21. p. 31-38[in Uktainian].
