Category of music inspiration in the conceptive content of psychology of art: on the unity of philosophical-aesthetic and artistic knowledge methods.
Категорія музичного мислення у понятійному контексті психології мистецтва: про єдність філософсько-естетичного та мистецтвознавчого методів пізнання.
Abstract
The purpose of the article is to determine the disciplinary status of the category of musical thinking and to develop a methodological and conceptual framework for studying the nature and process of musical thinking. The methodology of work involves a combination of phenomenological and psychological approaches and their joint projection in the subject field of art studies, the deepening of musicology semioology. The scientific novelty of the research is determined by the introduction of a noological (neo-ethical) approach to the content circle of psychology of art and the justification of its leading role in the theory of musical thinking. The conclusions of the article allow us to recognize the poetic concept of consciousness as the key to revealing the specificity of the chronotopic content of the artistic (musical) work, implicit and explicit properties and indicators of the artistic (musical) image, the fundamental properties of the categories of memory, play and love.
References
2. Vygotsky, L. (1982). The problem of consciousness // LS. Vygotsky Sobr. cit. in 6 volumes T.1. Ed. A. Luria, M. Yaroshevsky, M.: Pedagogy,. P. 156–167 [in Russian].
3. Vygotsky, L. (1968). Psychology of art. M.: Art [in Russian].
4. Husserl, E. (2005). Selected Works: comp. V. A. Kurennoy. M.: Territory of the Future Publishing House [in Russian].
5. Zinchenko, V. Worlds of consciousness and the structure of consciousness. URL: http://development2005.narod.ru/books/zin.htm [in Russian].
6. Kirnarskaya, D. (2003). Psychology of musical activity. Theory and practice. M. [in Russian].
7. Leontiev, D. (2007). Psychology of Sense: Nature, Structure and Dynamics of Semantic Reality: 3rd ed., Add. M.: Meaning [in Russian].
8. Losev, A. (1995). Music as a subject of logic // A.F. Losev. The form. Style. Expression. Comp. A.A. Taho-Godi. M.: Thought, P. 405–602 [in Russian].
9. Maslow, A. (1999). Motivation and personality. Trans. from English A. M. Tatlybayeva. St. Petersburg: Eurasia [in Russian].
