Феномен Інструментального театру у творах українських композиторів другої половини ХХ ст.

Nadezhda Broyako; Veronika Dorofeeva

doi:10.31723/2524-0447-2018-26-111-122

Nadezhda Broyako Kiev National University of Culture and Arts https://orcid.org/0000-0001-9109-1734
Veronika Dorofeeva Kiev National University of Culture and Arts https://orcid.org/0000-0001-5720-2998

DOI: https://doi.org/10.31723/2524-0447-2018-26-111-122

Keywords: instrumental theater, performance, happening, action-music actionism.

Abstract

The purpose of the article is to reveal the stages of formation and the identification of the artistic properties of the phenomenon of instrumental theater in the works of Ukrainian composers of the second half of the twentieth century. The methodological basis of the article is based on an integrated genre approach, which allows identifying specific genre features of the phenomenon of instrumental theater in a broad historical and cultural context. The combination of the analytical musicological, comparative and historical-evolutionary methods contributes to a more complete understanding of the phenomenon of instrumental theater. The scientific novelty of this article is to identify the functions of instrumental theater as an independent genre form in modern domestic culture. Conclusions. The instrumental theater is a unique phenomenon of modern musical art, in which there is a convergence between the participants of the creative act - the composer, performer and listener, who can sometimes change roles and expand their field of influence. In total, characterizing the genre and dramaturgical parameters of instrumental theater, it should be noted that the works that belong to this direction can be subdivided with respect to the following parameters: according to the number of performers involved - in one-man performances, chamber and mass performances; according to the structural-compositional installations - for single-part (one-act) and multi-part (multi-act) opuses; according to the general plot drama - linear and assembly, as well as conflict and conflict-free. Most of the works of the instrumental theater demonstrate the attention and urgent need for deep penetration of the performers into the essence of the figurative concept of the work, and do not see their own end in attracting elements of theatricalization for shocking the public.

Author Biographies

Nadezhda Broyako, Kiev National University of Culture and Arts

Broyako Nadezhda Bogdanovna, Ph.D. in Art History, Professor at the Department of Musical Art at Kiev National University of Culture and Arts

Veronika Dorofeeva, Kiev National University of Culture and Arts

Veronika Yuryevna Dorofeeva, Ph.D. in Art History, Associate Professor at the Department of Musical Art at Kiev National University of Culture and Arts

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The phenomenon of the instrumental theater in the works of Ukrainian composers of the second half of XX centuries