Instrumental music styles to drama performances (basis on creative work of native composers second half XX century).

Композиторські інструментальні стилі в музиці до драматичних вистав (на прикладі творчості вітчизняних композиторів другої половини хх ст.)

Abstract

The purpose of article is identification of regularities of tool thinking of I. Shamo, V. Rozhdestvensky, M. Skorik in music to drama performances. Methodology: in article analytical, genre, intonational, style and system approaches are applied. Scientific novelty: in article features of instrumental styles of the leading domestic composers of the 20th century – V. Rozhdestvensky, I. Shamo, M. Skorik – in the context of music to drama performances are studied. Conclusions: on the basis of the made analysis it is possible to claim that these composers have proved as masters with accurately defined own instrumental styles. The core of it should be considered the constant aspiration to individualize, first of all, performing structure. As base the big symphonic orchestra of pair structure "adapted" for requirements and opportunities of drama theater for this purpose acts.
Keywords: theatre, music, orchestra, instrumental, instrumental style, Ukrainian composers.