Music art and culturе

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Current Issue

No 47 (2026): Music art and culture

Published: 2026-05-13

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

SPIRITUAL AND MYTHOLOGICAL ASPECTS OF V. KIREIKO'S OPERA “FOREST SONG”

Olha Viktorivna Muravska

6-19
- PDF (Українська)
THE FORMATION AND DEVELOPMENT OF THE BAROQUE DANCE INSTRUMENTAL SUITE

Tetiana Oleksandrivna Kaznacheieva

20-34
- PDF (Українська)
THE INTONATIONAL-IMAGERY SPHERE OF A. BERG’S “SEVEN EARLY SONGS”: PROBLEMS OF VOCAL TECHNIQUE AND ARTISTIC INTERPRETATION

Larysa Mykolaivna Loboda

35-51
- PDF (Українська)
FEATURES OF THE EMBODIMENT OF GENRE-STYLE SYNTHESIS IN F. POULENC’S CONCERT-BALLET “MORNING SERENADE”

Diana Pavlovna Gultsova

52-64
- PDF (Українська)
SPIRITUAL AND AESTHETIC HORISMS OF АNDRE JOLIVET'S CREATIVITY (USING THE EXAMPLE OF PIANO SONATAS)

Nataliya Vyacheslavivna Zayets

65-78
- PDF (Українська)
SPIRITUAL AND ETHICAL GUIDELINES OF THE MUSICAL THEATER OF G. VERDI IN THE RIVER OF IDEAS OF THE RISORGIMENTO

Nadiya Fedorivna Milichenkova (Shakun)

79-94
- PDF (Українська)
STRUCTURAL-COMPOSITIONAL AND SEMANTIC-AESTHETIC FEATURES OF THE CHORAL CANTATA IN CHINESE MUSICAL CULTURE: FROM THE EUROPEAN MODEL TO THE NATIONAL FORM

Lu Xiaolin

95-113
- PDF (Українська)
GENRE TRANSFORMATION OF THE SECULAR SOLO SONG IN SEVENTEENTH-CENTURY ENGLAND IN THE CONTEXT OF BAROQUE MUSICAL AND AESTHETIC PRINCIPLES

Feng Zhihao

114-127
- PDF (Українська)
TIMPANI IN EUROPEAN BAROQUE OPERA

Li Tao

128-142
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

MUSIC TEXTOLOGY AS A CONTEMPORARY MUSICOLOGICAL DISCIPLINE: PROBLEMS AND PROSPECTS FOR DEVELOPMENT

Yuliia Oleksandrivna Hribinienko

143-157
- PDF (Українська)
HERMENEUTIC APPROACH TO CHORAL PERFORMANCE: THE CONDUCTOR AS A “TRANSLATOR” OF MEANINGS IN A CULTURAL CONTEXT

Oleksandr Petrovych Vila-Botsman

158-172
- PDF (Українська)
PSYCHOLOGICAL FOUNDATIONS OF THE PROFESSIONAL ACTIVITY OF THE ACCOMPANIST: TOWARD THE PROBLEM OF INTEGRATING PEDAGOGICAL AND PERFORMANCE COMPONENTS

Nataliia Dmytrivna Fortuchenko

173-188
- PDF (Українська)
OPERATIC ART OF B. SHENG AS A PHENOMENON OF CONTEMPORARY MUSICAL CULTURE: ARTISTIC-IMAGERY AND MUSICAL-DRAMATURGICAL ASPECTS

Zhang Zhihuan

189-203
- PDF (Українська)
VARIABILITY IN THE SYSTEM OF PIANO CREATIVITY: A STRUCTURAL-SEMANTICAL APPROACH

Li Jiafan

204-215
- PDF (Українська)
THE IDEA OF HUMANITY AS THE MAIN OBJECT OF OPERA INTERPRETATION

Zeng Tao

216-228
- PDF (Українська)
EMOTIONAL SPECIFICITY OF OPERA CREATIVITY: GENRE-HISTORICAL GENESIS

Cao Sicong

229-240
- PDF (Українська)
OPERA PLOT AS A SUBJECT OF MUSICIAN STUDY

Qi Jiansong

241-252
- PDF (Українська)
HARMONY AS A FORMATIVE FACTOR IN M. RAVEL’S PIANO WORK

Wang Yongdan

253-264
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

AN INTEGRATED APPROACH TO TEACHING MUSIC HISTORY AND ART HISTORY BASED ON PROJECT-BASED LEARNING

Olga Volodymyrivna Voronovskaya, Marina Volodymyrivna Rusiyaieva

265-279
- PDF (Українська)
CONTEMPORARY PIANO PERFORMANCE INTERPRETATION AS A STYLISTIC PHENOMENON: CRITERIA FOR SELECTION AND EVALUATION

Yulia Viktorivna Ivanova

280-294
- PDF (Українська)
ACCOMPANIST AS INTERPRETER AND PEDAGOGUE IN THE STRUCTURE OF THE MUSICAL PERFORMANCE PROCESS

Tatiana Oleksandrivna Fedchun

295-309
- PDF (Українська)
PERCUSSION INSTRUMENTALISM AS A FACTOR IN RENEWING THE MUSICAL PARADIGM OF THE 20TH–21ST CENTURIES

Teng Chong, Alla Dmitrivna Chernoivanenko

310-322
- PDF (Українська)
PIANO CREATIVITY OF WASYL SHUT: PERFORMING AND PEDAGOGICAL POTENTIAL

Yuliia Oleksandrivna Osmachko

323-332
- PDF (Українська)
AUTHENTIC PRINCIPLES OF ACCORDION PERFORMANCE INTERPRETATION

Iryna Marianivna Shpytalna

333-344
- PDF (Українська)
VIOLIN ART IN CHINA IN THE CONTEXT OF CONTEMPORARY CULTURAL TRENDS: THE INTERACTION OF EUROPEAN PERFORMANCE TRADITIONS AND NATIONAL INTONATIONAL THINKING

Yuan Shuqin

345-361
- PDF (Українська)
TEMPORAL AND SPATIAL FACTORS OF MUSICAL CREATIVITY: TOWARDS THE PROBLEM OF THE CONDITIONALITY OF PERFORMING INTERPRETATION

Li Xuanxuan

362-373
- PDF (Українська)
THE BAROQUE PARADIGM OF PIANO PERFORMANCE: A CONTEMPORARY VIEW

Luo Xiaoyi

374-385
- PDF (Українська)

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