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The editorial board of "Musical Art and Culture" is looking forward to cooperating with art history specialists and teachers and students of higher educational institutions of musical art and culture.

The journal scope is determined by current problems and modern concepts of musicology, musical culturology, and musical aesthetics.

SUBMISSION PROCEDURE

To submit an article for Issue No. 50, 2026 by October 20, 2026 (including), it is necessary to complete the online author information form and send the article, prepared in accordance with the journal requirements, to the email: editor@music-art-and-culture.com 

The editorial team complies with the requirements of the Ministry of Education and Science of Ukraine set forth in Order No. 56 of January 19, 2026, “On Amendments to the Procedure for Compiling the List of Scientific and Professional Publications of Ukraine,” and therefore reserves the right to regulate the number of articles published in each issue, to close the submission period for a particular issue earlier than planned, if necessary, and to postpone the publication of an article to a subsequent issue, subject to prior agreement with the author.

Submitted manuscripts are subject to editing, peer review, and plagiarism check.

If the article successfully passes peer review and is accepted for publication, the author will be provided with bank details for payment of the publication fee.

After making the payment, the author must send a scanned copy of the receipt to the editorial office.

Example of electronic file names: Shevchenko_I.I._article, Shevchenko_I.I._receipt.

Articles of scientific and practical relevance are accepted for publication. No more than one article by the same author (co-author) may be published in the issue. Authors are responsible for the originality of their manuscripts, the accuracy of facts, citations, statistical data, proper names, geographical names, and other information, as well as for ensuring that the materials do not contain data that are not intended for public disclosure. The final decision on publication, based on anonymous peer review, is made by the editorial board.

The editorial board encourages authors to submit manuscripts in English to facilitate the international dissemination of research findings.

SECTIONS

1. History and theory of musical art and culture
2. General theoretical aspects of musicology
3. Problems of modern music pedagogy and performance

PUBLICATION FEE

The publication fee is UAH 1,300 (up to 12 pages). Each extra page is charged at UAH 50. The publication fee covers the costs associated with the processing, peer review, and/or publication of the article.

The editorial board accepts individual articles submitted by postgraduate students enrolled in state-funded programs for publication free of charge, provided that the manuscripts are authored solely by the students (without co-authors), comply with the journal’s requirements, and adhere to the principles of academic integrity.

Along with the manuscript, postgraduate students enrolled in state-funded programs must submit a certificate issued the graduate studies department confirming their enrollment. The certificate must be signed by the head of the relevant department and bear the its official seal.

Authors may also order a printed copy of the journal. The cost of a printed copy is UAH 1,000 and is payable in addition to the publication fee.

Journal electronic version will be available on the website on December 30, 2026.

Authors who ordered a printed copy will receive it before January 30, 2027.

ACADEMIC INTEGRITY

The Editorial Board guarantees high-quality anonymous peer-review of articles and their check for plagiarism using StrikePlagiarism.com by the Polish company Plagiat.pl.

PROHIBITION TO REFER TO THE AGGRESSOR STATE’S SCHOLARLY PAPERS

It is prohibited citing and including in the reference list russian-language contributions published in any country, incl. papers written in other languages but published in russia and belarus.

TECHNICAL REQUIREMENTS FOR ARTICLE DESIGN

1. UDC is indicated to the left of the article title.
2. The volume of the article is 12–18 pages (size - 14, in 1.5 intervals). Margins: not less than 2 cm.
3. Information on the author in Ukrainian and English, containing the following data (without abbreviations and acronyms): surname, name, patronymic, academic degree, academic title, position indicating the structural unit and the name of the institution at the main place of work of the author , e-mail, ORCID (required). If the author does not have an orcid code, you can get it at https://orcid.org/
4. Title of the article in Ukrainian and English.
5. Abstracts and keywords are given in two languages: Ukrainian, English. The abstract should contain the following selected elements: purpose of work, methodology, scientific novelty, conclusions.
The average volume of abstracts as - each 1800 characters at least. After each abstract, the keywords are given in the appropriate language. The set of keywords (a total of not less than three and not more than ten) should reflect the main content of scientific work. Keywords are given in the nominative case, printed in a line, separated by a comma.
6. The structural elements of the article should be highlighted from the paragraph in bold, namely: Relevance of the research topic. The aim of the study. Scientific novelty. Presenting main material. Conclusions. Any statistics provided must be supported by references to sources.
7. References to the text are made in ordinal numbers in square brackets. References: [8, p. 25], where 8 is the ordinal number of the source in the list, 25 is the page number. References to several sources: [8, p. 25; 4, p. 67].
8. The list of used sources is drawn up at the end of the article in the original language in alphabetical order in accordance with the requirements of DSTU 8302: 2015. To ensure the quality of scientific citations, the DOI of each source (if available) must be provided in the list of references.
References (Latin literature) is given in a completely separate block, repeating the list of literature provided in the national language, regardless of whether it contains foreign sources or not. If the list contains references to foreign publications, they are completely repeated in the list given in Latin. The list of References is made according to the APA standard.

EXAMPLE OF ARTICLE DESIGN

УДК 785.7

Людмила Іванівна Повзун
ORCID: 0000-0002-1133-6330
доктор мистецтвознавства, в.о. професора,
завідувачка кафедри камерного ансамблю
Одеської національної музичної академії імені А. В. Нежданової
l.i.povsun@gmail.com 

МІЗАНСЦЕНІЧНА ТИПОЛОГІЯ КАМЕРНО-АНСАМБЛЕВИХ ЖАНРОВИХ РІЗНОВИДІВ:
ДО ПИТАННЯ ХУДОЖНЬО-ВИКОНАВСЬКОГО ХРОНОТОПУ 

Мета роботи – дослідження мізансценічних моделей камерно-ансамблевого виконавства. Методологія дослідження спирається на системно-аналітичний та компаративний методи. Наукова новизна – обґрунтування мізансценічної типології камерних інструментально-ансамблевих жанрових різновидів, зумовленої семантичними розрізненнями у художньо-виконавському просторі. Висновки. Поняття виконавсько-ансамблевої мізансцени передбачає процес звукового координування всередині виконавсько-ансамблевого простору та перцепційну проекцію у слухацький простір.
Ключові слова: система камерних інструментально-ансамблевих жанрів, виконавський інструментально-ансамблевий хронотоп, ансамблева мізансцена.

Povzun Liudmіla Ivanovna, Doctor of Arts, Acting Professor, Head of the Department of Chamber Ensemble of the Odessa National A. V. Nezhdanova Academy of Music
Staging a typology of chamber-ensemble genre varieties: to the question of artistic and performing chronotope
Research objective. The aim of the work is to study the mission models of chamber-ensemble performance. The methodology of the research is based on the system-analytical and comparative method. The scientific novelty – the substantiation of the stage-oriented typology of chamber instrumental-ensemble genre species, due to semantic differences in the artistic and performing space. Conclusions. The concept of performing and ensemble stage involves sound coordination within the performing – ensemble space and perceptual projection into the listening space.
Keywords: chamber instrumental and ensemble genre system, performer instrumental ensemble Chronotope, performing instrumental ensemble picture.

СПИСОК ЛІТЕРАТУРИ

  1. Черноіваненко А. Д. Академічне музично-інструментальне мистецтво як предмет музикознавчої системології. Одеса : ВД «Гельветика», 2021. 704 с.

REFERENCES

  1. Chernoivanenko A. D. (2021) Academic musical and instrumental art as a subject of musicological systemology. Odesa: VD “Helvetika” [in Ukrainian].