AUTHENTIC PRINCIPLES OF ACCORDION PERFORMANCE INTERPRETATION
Abstract
The purpose of the article is to deepen the semantic spectrum of the category of authenticity in the process of accordion-performance interpretation as a spiritual act, which allows defining new value orientations and performing artistic principles. The research is aimed at analyzing the correlation of historical genre-stylistic norms, organological-instrumental conditions and individual performance understanding, which forms a complete conceptual system and allows to determine the authentic principles of accordion interpretation. The research methodology involves the use of a complex interdisciplinary approach combining theoretical concepts of philosophy, musicology, aesthetics and psychology. This contributes to deepening the understanding of the phenomenon of authenticity as a spiritual-interpretive process of accordion-performing creativity. The scientific novelty of the study lies in the expansion of conceptual ideas about the phenomenon of authenticity, in particular the principles of modern accordion-performance interpretation, which is aimed at achieving historical-stylistic and artistic-semantic correspondence between the composer's and the performance's text. The conclusions of the article make it possible to define authenticity as an integral characteristic of accordion-performance interpretation, determined by historical-cultural and personal-semantic factors (a sense of one's own presence in the musical sound). Intonation is defined as one of the most important authentic principles, in which the immanent semantic, timbre-sonorous, artistic-expressive, tessitural, textural, articulatory possibilities of performance-interpretive activity are revealed. Therefore, an important concept is authentic accordion intonation (play-communication), which consists in the interaction of the historical foundations of the work, the sound perspective of the instrument and the personal meaning of the performer, which correspond to the cultural-philosophical paradigm of time and space coordinates.
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