Style evolution of the generic form of the string quartet in the creativity of B. Tischenko.

Стилевая эволюция жанровой формы струнного квартета в творчестве Б. Тищенко

Abstract

The basis of this article is the discursive musicological experience of the study of creativity B. Tishchenko, which makes it possible to raise the question of the essential differences in the phenomena of style synthesis and polystylistics. It is proved that, despite the obvious use of foreign style techniques and the "style difference" of the musical images created by him, the concept of polystylistics appears controversial with respect to the author's musical thinking of the composer. The purpose of the article: to clarify the content of the concepts of style, style synthesis, polystylistics with reference to the author's poetics B. Tishchenko, realized in the genre form of a string quartet.
Keywords: style, style synthesis, author's style, polystylistics, genre form, string quartet.