Явище солілоквіума у сучасній композиторській творчості: до постановки проблеми.

Anna Stoianova

doi:10.31723/2524-0447-2017-25-202-214

Anna Stoianova Odessa National A. V. Nezhdanova Academy of Music. https://orcid.org/0000-0002-3092-1922

DOI: https://doi.org/10.31723/2524-0447-2017-25-202-214

Keywords: soliloquium, self-dialog, types of dialogue, inner speech, musical soliloquium.

Abstract

The purpose of study is to examine the problem of soliloquium as a form of a special internal dialogue in contemporary composer creativity, definition of place and meaning of soliloquium in music. The methodology of the article is based on the generalization of soliloquium problem in art criticism studies. An analytical approach is used for the concept of internal speech in relation to its projection on works of art, a comparative characteristic of dialogue and self-dialog is given. The scientific novelty is based on the fact that in the article a multifaceted analytical description of the phenomenon of soliloquium in different types of art is carried out, and a detailed definition of the place of soliloquium in music is given for the first time. Conclusions. Soliloquium in music becomes an aesthetic paradigm that overgrows with compositional techniques, it does not localize in one genre form, but determines genre inclination of creativity, generating certain compositional solutions. Musical soliloquium forms its own semantic sphere, connected both with dialogical methods, and style unity of musical material, it acts as an equivalent of the author's mono-dialog.
Keywords: soliloquium, self-dialog, types of dialogue, inner speech, musical soliloquium.

Author Biography

Anna Stoianova, Odessa National A. V. Nezhdanova Academy of Music.

Stoianova Anna Dmytrivna
applicant of the department of music history and musical ethnography of Odessa National A.V. Nezhdanova Academy of Music.

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The phenomenon of soliloquium in contemporary composer creativity: to the formulation of the problem