ABOUT THE INTERACTION OF INTONATION AND KINESICS IN MUSIC
Abstract
The purpose. The article identifies the principles of functioning of the movement, plastic, kinesics, spatiality, visualization categories in the musical art. The research methodology consists in the application of comparative, aesthetic and cultural, historical methods, as well as systemic, synergistic, musicological and music and performing approaches. The scientific novelty of the work lies in the deepening of ideas about the plastic nature of musical art. The rhythm and intonation manifestations in the performance and perception of music, their organic connection with all musical and expressive means are analyzed and substantiated. Conclusions. The study of the functioning and interaction of intonation and kinetic means that convey emotional information in music reveals their ontological relationship, similar to the interaction of verbal and non-verbal means of communication. The action of kinetic units, including instrumental forms of movements, sharpens the expression of the performance of articulation-stroke, dynamic and textured means, as well as the emotional perception of music. The factor contributing to the widespread use of kinetic means is their focus on dialogue, requiring a quick change of «characters».
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