FEELING OF RHYTHM AS A SPECIAL FORM OF AWARENESS OF RHYTHM AS A SPECIAL FORM OF AWARENESS OF INTONATIVE IMPRESSION (ON THE EXAMPLE OF THE CREATIVE ALGORITHM OF MUSICAL ARTIST)

Abstract

The aim of the work is to reveal the immanent specificity of the professional algorithm of a musical artist, to substantiate its dependence on the sense of rhythm as an instrument of “objectification” of intuitive intonation impressions. The research methodology is based on general philosophical methods – analysis, synthesis, substantiation; practical methods – comparison, observation, coordination of practical experience. Scientific novelty: the concept of «musical impression» as a mechanism of interaction of intonation and rhythmic component of the immanent creative process of a musical artist is formulated. The sense of rhythm of the musical artist is substantiated as an expression of the expressive component of the semantics of intonation. Conclusions. The category «rhythm» in the genre of musical is characterized as a means of artistic influence, through which the energy of intonation semantics of the work of art is formed, transmitted and perceived. Sense of rhythm in the art of acting is a tool for awareness of unconscious impulses through physical actions. Accordingly, the sense of rhythm of the musical artist is considered an instrument of awareness – «objectification» of intuitive intonation impressions, which is defined as one of the main immanent mechanisms of the professional algorithm of the musical artist. Intonation impression is understood as an unconscious impulse that initiates the professional algorithm of the artist, and rhythmic feeling is aware of the intonation impression through the decoding of its energy component. Thus, the intonation impression is «realized» through rhythmic feeling. Intonation impression and rhythmic feeling are combined into a single concept of professional algorithm of a musical artist – «musical impression» – a reflection of sensory experience of interaction of intonation impression and rhythmic feeling, basic intuitive impression for a musical artist, «initial tool» of his professional algorithm. The artist’s sense of rhythm has a deep archetypal basis – it «sprouts» from intonation hearing and expresses an expressive component of the semantics of intonation.