Vol 1 No 35 (2022): Music art and culture | Music art and culturе

Skip to main content Skip to main navigation menu Skip to site footer

DOI: https://doi.org/10.31723/2524-0447-2022-35-1

Published: 2022-12-30

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

FEELING OF RHYTHM AS A SPECIAL FORM OF AWARENESS OF RHYTHM AS A SPECIAL FORM OF AWARENESS OF INTONATIVE IMPRESSION (ON THE EXAMPLE OF THE CREATIVE ALGORITHM OF MUSICAL ARTIST)

Olha Vadymivna Ohanezova-Hryhorenko

5-15
- PDF (Українська)
GUITAR WORKS OF М. PONSE (ON THE QUESTION OF SPECIFIC CHARACTERS OF MUSIC FOR THE GUITAR OF COMPOSERS – NOT GUITAR PLAYERS)

Olena Olehivna Drozdova

16-25
- PDF (Українська)
THE SEMANTICS OF CHAMBERLINESS IN JAN FREIDLIN’S STYLISTIC MANIFESTATIONS

Olena Illivna Zinakova

26-42
- PDF (Українська)
PIANO PRELUDE IN THE AGE OF ROMANTICISM AS A HISTORICAL-TEXTOLOGICAL PHENOMENON

Lyu Jing

43-57
- PDF (Українська)
REQUIEM BY W.-A. MOZART IN THE CONTEXT OF THE AGE OF ENLIGHTENMENT: BETWEEN “BAROQUE” AND “CLASSICISM”

Qi Wang

58-71
- PDF (Українська)
THE PHENOMENON OF DARIUS MILHAUD’S CREATIVE PERSONALITY

Yunan Shang

72-84
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

HISTORICAL TIME OF ARTIST: DIALOGUE WITH THE FUTURE

Liudmyla Ivanovna Povzun

85-93
- PDF (Українська)
PERFORMANCE AND MUSICOLOGICAL INTERPRETATION AS AN ARTISTIC PHENOMENON OF MODERN HERMENEUTICS (ESSAY BASED ON THE ANALYSIS OF OWN ARTISTIC AND MUSICOLOGICAL EXPERIENCE)

Ivan Dmytrovich Iergiiev

94-105
- PDF (Українська)
MUSICAL AND SEMANTIC CONNECTIONS BETWEEN CONCEPTS “NEW SIMPLICITY” AND “INVENTION OF TRADITION” IN THE CREATIVE WORK OF UKRAINIAN COMPOSERS AT THE BEGINNING OF THE XXI CENTURY

Evgen Viktorovych Yeremenko

106-120
- PDF (Українська)
PIANO-PERFORMING INTERPRETATION AS A COGNITIVE PHENOMENON (BASED ON THE APPROACHES OF CONTEMPORARY UKRAINIAN MUSICOLOGISTS)

Anastasia Pavlovna Muliar

121-134
- PDF (Українська)
THE IMAGE OF LOVE AS A SEMANTIC CENTER OF AN OPERA WORK: A PERFORMANCEACTANT APPROACH

XiaoWen Liu

135-146
- PDF (Українська)
THE PHENOMENON OF STYLE TRANSGRESSION IN THE CREATIVITY OF COMPOSERS: FROM E. SATI TO MODERNITY

Qun Yue

147-159
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

ANTONINA V. NEZHDANOVA’S PERFORMING PRINCIPLES (TO THE 110TH ANNIVERSARY OF ODESSA NATIONAL ACADEMY OF MUSIC NAMED AFTER A. V. NEZHDANOVA)

Antonina Yakivna Kuliieva

160-172
- PDF (Українська)
ON THE QUESTION OF THE INFLUENCE OF THE FORMS OF INSTRUMENTAL AND PERFORMING MOVEMENTS ON THE DEVELOPMENT OF CONDUCTING TECHNIQUES

Svetlana Аnatolyevna Murza

173-183
- PDF (Українська)
THE SPECIFICS OF THE CULTURAL AND EDUCATIONAL ACTIVITY OF THE KHMELNYTSKYI ACADEMIC MUNICIPAL CHOIR IN THE CONDITIONS OF THE RUSSIAN-UKRAINIAN WAR

Juliya Mykolaivna Baranetska, Svitlana Volodymyrivna Kokhanska

184-194
- PDF (Українська)
ODESA HOME SCHOOL: HISTORY AND PRESENT

Liliana Volodymyrivna Babich

195-206
- PDF (Українська)
SPECIFICITY OF PIANO-PERFORMING LANGUAGE AND THE PHENOMENON OF CHINESE PIANISM

Yiyu Zhu

207-217
- PDF (Українська)