Music art and culturе

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No 44 (2025): Music art and culture

Published: 2025-08-29

HISTORY AND THEORY OF MUSIC ART AND CULTURE

THE IMAGE OF A WOMAN IN THE MIRROR OF CONTEMPORARY OPERA (BASED ON THE WORK OF KAIJA SAARIAHO)

Yuliia Oleksandrivna Hribinienko

6-21
- PDF (Українська)
JAZZ PROJECTIONS OF CONTEMPORARY BAJAJAN-ACCORDION CREATIVITY

Volodymyr Anatoliyovych Murza, Alla Dmitrievna Chernoivanenko

22-32
- PDF (Українська)
GENRE AND STYLE GUIDELINES OF Е. GRANADOS’ OPERA HERITAGE

Ganna Andriivna Dzhulaj

33-47
- PDF (Українська)
THE INTONATIONAL WORLD OF THE CHILD: FROM NATIONAL ARCHETYPES TO NEOFOLKLORIC TRADITIONS

Olha Oleksandrivna Martynovska

48-61
- PDF (Українська)
MUSIC FOR THE THEATRE OF JEAN SIBELIUS: GENRE TRANSFORMATIONS

Inha Olehivna Shulha

62-76
- PDF (Українська)
ARTISTIC-SEMANTIC PRINCIPLES OF THE CREATIVE ACTIVITY OF A KEYBOARD PLAYERENSEMBLE PLAYER: HISTORICAL TYPOLOGY

Nataliіa Grygorivna Domashych

77-86
- PDF (Українська)
WESTERN UKRAINIAN CHRISTMAS AND EASTER PARALITURGICAL SONGS: HISTORICALRELIGIOUS AND MUSIC-ANALYTICAL ASPECTS

Halyna Volodymyrivna Yatsenko

87-101
- PDF (Українська)
WALTZ MELODIES IN THE REPERTOIRE OF TRADITIONAL INSTRUMENTAL ENSEMBLES OF WESTERN PODILLIA

Stepan Igorovich Buranich

102-111
- PDF (Українська)
THE ANCIENT MYTH IN THE FORMATION OF THE SYMBOLIST PARADIGM OF FRENCH MUSICAL THEATRE FROM THE SECOND HALF OF THE 19TH TO THE EARLY 20TH CENTURY

Ziyang Wang

112-126
- PDF (Українська)
CHINESE CHAMBER VOCAL MUSIC OF THE 20TH–21ST CENTURIES AS A SPACE OF NATIONAL-STYLISTIC SYNTHESIS

Wenjing Xiang

127-142
- PDF (Українська)
THE CONTEMPORARY OPERA GENRE IN THE CONTEXT OF CULTURAL MODERNIZATION: FROM CANONICAL FORM TO EXPERIMENTAL SOLUTIONS

Yuhan Jin

143-159
- PDF (Українська)
PARALLELS IN THE DEVELOPMENT OF CHILDREN’S MUSIC IN UKRAINE AND CHINA (1900S–1930S)

Yanjie Qin

160-178
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

SILENCE AS REVELATION IN THE SPIRITUAL ART OF THE 21ST CENTURY: INTERPRETING THE PRAYERFUL WORD IN CONTEMPORARY MUSIC

Svitlana Viktorivna Osadcha

179-195
- PDF (Українська)
VICTORIA POLEVA’S BALLET “MIRROR. DREAMS, OR LITTLE LIFE” AS A SEMIOTIC MODEL OF METAMODERN SENSIBILITY

Evgen Viktorovych Yeremenko

196-211
- PDF (Українська)
WORKS OF J.S. BACH IN THE MODERN GUITAR REPERTOIRE (ON THE EXAMPLE OF TRANSLATIONS OF CELLO SUITES)

Jie Yang, Alla Dmitrievna Chernoivanenko

212-221
- PDF (Українська)
DIALOGUE BETWEEN FOLKLORE AND PROFESSIONAL TRADITION IN THE 1970S–1980S: STYLISTICS OF NEOFOLKLORISM AND NEOROMANTICISM

Olena Petrivna Kuchma

222-234
- PDF (Українська)
CARL STAMITZ’S VIOLA CONCERTO IN D MAJOR IN THE LIGHT OF DIALOGUE

Iryna Oleksandrivna Zhurenko

235-248
- PDF (Українська)
THE DIALOGUE OF CULTURES AS A PREREQUISITE FOR THE UNIVERSALIZATION OF ARTISTIC THINKING ON THE EXAMPLE OF THE WORKS OF FAZIL SAY. ORATORIO “NAZIM” AND SYMPHONY “ISTANBUL”

Olena Yevhenivna Morozova

249-267
- PDF (Українська)
THE TIMBRAL SEMANTICS OF GIOVANNI SOLLIMA’S CELLO WORKS

Khrystyna Ihorivna Karpenko

268-281
- PDF (Українська)
CONTENT-EXPRESSIVE UNIVERSALISM OF THE BANDURA’S TIMBRE AND ITS REPRODUCTION IN THE “TRYPILLIAN” CONCERT BY YU. OLIYNYK

Viktoriia Anatoliivna Sakaly

282-298
- PDF (Українська)
SPECIFICITY OF PICTURE CONTENT AND MUSICAL INTONATION IN THE WORKS OF O. MESSIAN: FACTORS OF POLISEMANCY

Yang Yi

299-310
- PDF (Українська)
MYTHOPOETIC PREREQUISITES FOR FIGURATIVE PERSONIFICATION IN OPERA CREATIVITY

Wei Fang

311-323
- PDF (Українська)
TRANSFORMATIONS OF OPERATIC DRAMATURGY IN THE 20TH CENTURY: FROM PSYCHOLOGICAL DRAMA TO CONCEPTUAL MUSICAL THEATRE

Yang Zhao

324-339
- PDF (Українська)
HANDEL AND THE FORMATION OF THE CHRISTIAN ORATORIO OF THE 18TH CENTURY: GENERIC AND MUSICAL-LINGUISTIC DIMENSIONS

Ke Wang

340-356
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

PEDAGOGICAL AND PERFORMING ARTISTRY IN MUSIC: A COMPARATIVE ANALYSIS OF ESSENCE AND FUNCTIONS

Viola Grigoryevna Demidova

357-371
- PDF (Українська)
MUSICAL GIFTEDNESS AND PERSONALITY DEVELOPMENT

Nargiz Nazarova Aflatdin Qizi

372-383
- PDF
PERFORMING CHARACTERISTICS OF FRENCH HORN TIMBRE FORMATION

Volodymyr Ivanovych Bondarchuk

384-396
- PDF (Українська)
INNOVATIVE FORMS OF INTERACTION BETWEEN THE CHORAL CONDUCTOR AND THE AUDIENCE: INTERNATIONAL PRACTICE

Oleksandr Petrovych Vila-Botsman

397-411
- PDF (Українська)
MUSICAL REPRESENTATION OF CULTURES OF FICTIONAL PEOPLES IN AUDIOVISUAL ART: QUESTIONS OF IDENTITY

Heorhii Heorhiiovych Kozhukhar

412-431
- PDF (Українська)
THE PIANO SONATA CYCLE AS A FORM OF PERFORMING CONSCIOUSNESS AND ARTISTIC DIALOGUE

Volodymyr Heorhiiovych Kochniev

432-446
- PDF (Українська)
OPERA STUDIO: FROM EDUCATIONAL TASKS TO CREATIVE INSIGHTS (BASED ON THE ACTIVITIES OF THE OPERA STUDIO OF THE A. V. NEZHDANOVA ODESA NATIONAL ACADEMY OF MUSIC)

Oleksandr Oleksiiovych Filippov

447-458
- PDF (Українська)
REGIONALISM AS A CULTURAL COMPONENT OF NATIONALITY AND INSTRUMENTAL EXPRESSION OF THAT CREATIVE QUALITY

Viktor Vladyslavovich Kyrylov

459-468
- PDF (Українська)
RECITATIVE AND AFFECT IN THE SYSTEM OF THE FLORENTINE OPERATIC STYLE OF THE FIRST HALF OF THE 17TH CENTURY

Xiaomei Liu

469-484
- PDF (Українська)
ORIENTALISM IN CLAUDE DEBUSSY’S PIANO WORKS: GENERAL ASPECTS OF PERFORMANCE INTERPRETATION

Yilin Liu

485-502
- PDF (Українська)

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