Music art and culturе

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No 43 (2025): Music art and culture

Published: 2025-07-04

HISTORY AND THEORY OF MUSIC ART AND CULTURE

HISTORICAL PROLEGOMENA AND CONCEPTUAL SOURCES OF THE GENRE FORM OF THE VOCAL SYMPHONY

Valentyna Volodymyrivna Guzieieva

6-17
- PDF (Українська)
FRENCH STYLE IN MUSIC: REPRESENTATION OF MENTALITY IN PERFORMING PRACTICE (IN SOLO AND ENSEMBLE DIMENSIONS)

Mariia Mykhailivna Obolenska, Oksana Romanivna Mits

18-35
- PDF (Українська)
GENRE-STYLE PARADIGM OF FRENCH MUSICAL CULTURE: FEMALE PORTRAITS

Anna Vyacheslavovna Sotnikova

36-48
- PDF (Українська)
FORMATION OF THE IMAGERY SPHERE IN THE CELLO AND PIANO SONATA BY VADYM ZHURAVYTSKY

Iryna Olehivna Tovarnytska

49-61
- PDF (Українська)
DOUBLE BASS IN THE EUROPEAN MUSIC-HISTORICAL TRADITION AND POSTAVANTGARDE TODAY

Serhii Igorovich Zhelezniak

62-76
- PDF (Українська)
THE MUSICAL AND POETIC TRADITION OF CHINA AS THE FOUNDATION OF THE GENRE FORM OF THE ART SONG IN THE CHINESE CHAMBER-VOCAL MUSIC

Xiang Wenjing

77-89
- PDF (Українська)
THE CREATIVE ACTIVITY OF JEAN-MARIE LECLAIR AND “LES GOÛTS-RÉUNIS” IN FRENCH MUSICAL CULTURE OF THE 18TH CENTURY

Maosen Tang

90-100
- PDF (Українська)
THE EVOLUTION OF THE OPERATIC GENRE IN THE 20TH CENTURY: FROM REALISM TO PLAYFUL CONVENTIONALITY

Zhao Yang

101-115
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

THE SEMANTIC CODE OF AUTHORIAL DEDICATIONS: HISTORICAL TYPOLOGY

Lyudmila Ivanivna Povzun

116-132
- PDF (Українська)
SONOR INTONATION AS THE LEVEL OF THE ARTISTIC WHOLE AND STYLE IN THE CREATIVITY OF K. TSEPKOLENKO (ON THE EXAMPLE OF THE CYCLE “СARD GAME” AND “THE LIFT OF DESIRES”)

Inna Vasylivna Hodina

133-143
- PDF (Українська)
TRADITION AND INNOVATION AS A FORM OF HISTORICAL SELF-AWARENESS IN CONTEMPORARY MUSICAL CULTURE

Olena Petrivna Kuchma

144-159
- PDF (Українська)
MYSTERIOUS GUIDELINES OF THE POETICS OF AUSTRIAN SINGSPIEL AND THEIR REPRODUCTION IN «THE MAGIC FLUTE» BY W. A. MOZART

Olena Volodymyrivna Stakhovska

160-174
- PDF (Українська)
THE POETICS OF SONATA FORM IN F. SCHUBERT: FROM COMPOSITIONAL PRINCIPLE TO PERFORMANCE EXPERIENCE

Volodymyr Heorhiiovych Kochniev

175-191
- PDF (Українська)
INTERPRETATION OF THE ANCIENT MYTH IN FRENCH OPERATIC ART OF THE LATE 19TH – EARLY 20TH CENTURIES

Wang Ziyang

192-210
- PDF (Українська)
FEATURES OF THE SOUND CULTURE OF MOZARTIAN PIANISM

Chen Huangqi

211-221
- PDF (Українська)
VOCAL AUTHENTICITY AND NEW FORMS OF VOCAL INTONATION IN THE OPERA OF THE 21ST CENTURY

Jin Yuhan

222-232
- PDF (Українська)
THE SONIC UNIVERSE OF CLAUDE DEBUSSY’S PIANO IMAGES II IN THE PERFORMING INTERPRETATIONS OF CHINESE PIANISTS FOU TS’ONG AND HAOCHEN ZHANG

Liu Yilin

233-249
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

REALITIES AND PROSPECTS OF THE DEVELOPMENT OF THE PERFORMING INDUSTRY: WAYS OF RESEARCHING THE CONTEMPORARY ART SPACE

Ievgeniia Mykolaivna Bondar

250-261
- PDF (Українська)
THE CREATIVE INDIVIDUALITY OF THE CHORAL CONDUCTOR WITHIN THE CONTEXT OF VOCAL AND CHORAL ART IN CONTEMPORARY UKRAINE

Oleksandr Petrovych Vila-Botsman

262-273
- PDF (Українська)
GENRE-STYLISTIC SPECIFICITY OF THE CONCERT REPERTOIRE OF THE VIOLIN ENSEMBLE IN THE CONTEXT OF MODERN PERFORMANCE

Alla Oleksiivna Melnуk, Kseniіa Ivanivna Chaikovska

274-289
- PDF (Українська)
CONTEMPORARY FLUTE MUSIC AS A SPACE OF NEW SONIC AESTHETICS

Pavlo Viktorovych Doronin

290-304
- PDF (Українська)
TRANSFORMATIONAL PROCESSES IN CHILDREN’S CHORAL ART: THEORETICAL PRECONDITIONS

Olga Oleksandrivna Martynovska

305-319
- PDF (Українська)
SHCHYKOV’S MUSICAL INSTRUMENTS OF UKRAINE: COMPARATIVE INDUSTRY

Viktor Vladislavovich Kyrylov

320-329
- PDF (Українська)
THE AESTHETICS OF EARLY BAROQUE IN CONTEMPORARY THEATRE (ON THE EXAMPLE OF C. MONTEVERDI’S WORKS): TOWARD THE PROBLEM OF AUTHENTIC PERFORMANCE

Liu Xiaomei

330-341
- PDF (Українська)
THE STYLISTIC SPECTRUM OF MUSICAL PERFORMING INTERPRETATION

Xie Pengzuo

342-360
- PDF (Українська)

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