"Transcendental Etudes" by Franz Liszt and Sergei Lyapunov in line with the philosophy and genre-style romanticism searches.
«Трансцендентные этюды» Ф. Листа и С. М. Ляпунова в русле философских и жанрово-стилевых исканий романтизма
Abstract
Purpose of Research. This article analyzes the specificity of genre-style "Transcendental Etudes" Franz Liszt and Sergei Lyapunov considered in line with the philosophical and aesthetic pursuit of the Romantic era. Scientific novelty. The transcendence of these works is evident not only in their maximum increased technical-performing skills, but also in maximizing typology scene, encompassing both instructional rhetorical side of the genre, as well as figurative sense "codes" of romantic art in general. Conclusions. The designated qualities of S. Lyapunov's piano creativity are most fully concentrated in his "12 sketches", which were conceived as a kind of continuation of a similar leaf cycle.
Keywords: etude, romanticism, "Transcendental Etudes" in a transcendent cultural romanticism, a virtuoso, virtuosity.
References
2. Bahtizina, D. (2006). Istinnost muzyiki (Ontologicheskiy aspekt). – Diss. … kand. filosofskih nauk : 09.00.01 – ontologiya i teoriya poznaniya. – Sibay. URL : www.dslib.net/ontologia/istinnost-muzyki.html [in Russian].
3. Berdyaev N. (1989). Filosofiya svobodyi. Smyisl tvorchestva. M.: «Pravda» [in Russian].
4. Borodin B. (2006). Fenomen fortepiannoy transkriptsii: opyit kompleksnogo issledovaniya. – Avtoref. diss….doktora iskusstvovedeniya : 17.00.02 – Muzyikalnoe iskusstvo. – M. [in Russian].
5. Virtuoznost. URL : dic.academic.ru/dic.usf/brokgauz_efron [in Russian].
6. Virtus (1994) // Mifyi narodov mira. Entsiklopediya: v 2-h tomah / Gl. red. S. A. Tokarev. M.: Ros. Entsiklopediya. T. 1. A–K. [in Russian].
7. Volkov, V. (2014). Filologiya v sisteme sovremennogo gumanitarnogo znaniya: Uchebnoe posobie. M.: FLINTA [in Russian].
8. Genkin, A. (2012). Esteticheskiy smyisl etyudov Karla Cherni kak faktor ovladeniya professiey pianista-ispolnitelya // Kultura narodov Prichernomorya. # 236. [in Russian].
9. Gogolashvili, M. Proyavlenie printsipa virtuoznosti v zhanre etyuda, ego transformatsiya v muzyikalnom iskusstve XIH-XXI vekov. URL : www.rusnauka.com/4_SND_2014/MusicaAndLife/1_157174.doc.htm [in Russian].
10. Kalinin, S. (2002). Transtsendentnoe v filosofii XVIII – pervoy polovinyi XIX vekov v tvorchestve Lista // Ferents List i problemyi sinteza iskusstv: Sbornik nauchnyih trudov / Sost. G. I. Ganzburg. Harkov: Izdatelskaya gruppa «RA - Karavella» [in Russian].
11. Kant, I. (1964). Sochineniya: v 6-ti tomah / Pod obsch. red. V. Asmusa, A. V. Gulyigi, T. I. Oyzermana. M.: Myisl. T. 3 [in Russian].
12. Lavruhina, I. (2008). Ideya transtsendentnogo: kontseptualnyie versii v kulture. – Avtoref. diss. … doktora filosofskih nauk : 09.00.13 - religiovedenie, filosofskaya antropologiya, filosofiya kulturyi. Rostov-na-Donu [in Russian].
13. Literaturnyie manifestyi zapadnoevropeyskih romantikov (1980) / Pod red. A. Dmitrieva. M.: Izdatelstvo Moskovskogo universiteta [in Russian].
14. Medushevskiy, V. (2010). Ontologicheskaya teoriya kommunikatsii kak ob'yasnitelnyiy printsip v muzyikoznanii // Muzyikalnaya akademiya. # 3 [in Russian].
15. Milshteyn, Y. (1961) Etyudyi F. Lista. M.: Gosudarstvennoe muzyikalnoe izdatelstvo [in Russian].
16. Pankova, E. (2005). «Novoe srednevekove» v estetike nemetskogo romantizma / // Vestnik VGU. Seriya: Filologiya. Zhurnalistika. # 2 [in Russian].
17. Sodeyka, T. (2001). Transtsendentnyiy // Filosofskiy slovar / Pod red. I. T. Frolova. M.: Respublika [in Russian].
18. Shelli, P. (1972). Pisma. Stati. Fragmentyi. M.: Nauka [in Russian].