Formation of modern musical style space on the example of creativity of Ukrainian composers.

Формування сучасного музичного стильового простору на прикладі творчості Українських композиторів

  • Veronika Dorofeeva Kyiv National University of Art and Culture
Keywords: Key words: stylistic space, Ukrainian composers, neofolklorism, «neo-baroque», polistylistic.

Abstract

The purpose of the article is to determine the main stylistic trends that are presented in the Ukrainian academic music space. Achieving this goal consists in isolating the creative approaches of various Ukrainian composer schools to determine their specific interaction in social and cultural terms. The methodology of the research. To study the peculiarities of the modern style palette in the academic music space of Ukraine, an analytical method and a synthesis method are used. Scientific novelty. The creative method of modern Ukrainian authors is the free operation of the achievements of style trends of the past and their combination with the leading compositional techniques of the present. Growing interest in the media and electronic music is one of the promising areas of the culture of the 21st century. Conclusions. A significant role is played by neo-folklore as one of the leading and outstanding trends of the present. Attention is focused on the use of the principle of polystylistics, which leads to the formation of a meta-language. The emergence of a tendency to revive the traditions inherent in Ukrainian art, manifested in the formation of the , «neo-baroque».
Key words: stylistic space, Ukrainian composers, neofolklorism, «neo-baroque», polistylistic.

Author Biography

Veronika Dorofeeva, Kyiv National University of Art and Culture

Dorofeeva Veronika
Ph.D. in the History of Art, assistant professor of the Kyiv National University of Art and Culture

References

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Published
2016-11-30
How to Cite
Dorofeeva, V. (2016). Formation of modern musical style space on the example of creativity of Ukrainian composers. Music Art and Culturе, (23), 260-268. https://doi.org/https://doi.org/10.31723/2524-0447-2016-23-260-268
Section
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY