Lyrical as semantic dominant of chamber-vocal creativity.
Лирическое как семантическая доминанта камерно-вокального творчества
Abstract
The purpose of article consists in lightening of the nature of lyrical as aesthetic modus, art sphere and psychological set, in determination of specifics of manifestation lyrical in music, composite and stylistic indicators of lyrical musical semantics. The methodology of a research provides interaction of philosophical-esthetic, literary-musicological approaches, a support on category of psychology of art. The scientific novelty of work is caused by allocation of lyrical experience as subject of musical understanding and judgment, special musical-language phenomenon. Conclusions demonstrate that the lyrical mode of musical contents is caused by tendencies of a chamberization and authorization, is connected with autonomy of certain genre and style parties of musical creativity.
Keywords: lyrical, lyrical modus of musical contents, chamberization, authorization, musical language
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