Genre-style model of instrumental piano cycles in the works of ukrainian composers of the late twentieth century.

Жанрово–стильова модель інструментальних фортепіанних циклів в творчості українських композиторів кінця ХХ століття.

Abstract

The purpose of article consists in lightening the concept of genre and stylistic modeling as a basic for the modern musicology; considers conceptual directions of modifications genre-style models in sphere of instrumental piano cycles in the works of Ukrainian composers of the late twentieth century. The methodology of a research provides musical and historical approaches. The scientific novelty of work is caused by genre and stylistic modeling as a basic for the modern musicology. Conclusions demonstrate that the lyrical interpretation of different genres of instrumental cycles of Ukrainian music at the end of the twentieth century is connected with the conceptual rethinking of their primary semantics.
Key words: genre-stylistic model, instrumentals cycles, partita, suite,  miniature.