No 24 (2017): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/https://doi.org/10.31723/2524-0447-2017-24

Published: 2017-07-03

Full Issue

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HISTORY AND THEORY OF MUSIC ART AND CULTURE

Features of timbre dramaturgy of instrumental works Galina Ustvolskaya.

Julia Grybynenko

8-19
- pdf (Русский)
- pdf (eng)
Calendar ritual songs in choral interpretations by Andriy Kushnirenko

Yuliya Kapliyenko-Iliuk

20-30
- pdf (Русский)
- pdf(eng)
The production of J. Verdi’s opera «Aida» in directorial interpretation by D.M. Gnatyuk.

Viktor Bondarchuk

31-41
- pdf (Русский)
- pdf(eng)
The style intentions and stylistic content of V. Ivasyuk's poetry in the modern media and cultural space.

Anna Paliychuk

41-52
- pdf (Русский)
- pdf(eng)
Preconditions for the birth of the odessa pianistic school

Yuliya Rusnak

52-63
- pdf (Русский)
- pdf(eng)
"Grande ouverture " of M. Giuliani in representation of classics of guitar art of the italian biedermeier.

Anton Yaloza

64-74
- pdf (Русский)
- pdf (eng)
The speciffics of the transformation of instrumental music of the baroque for bandura on the example of “sonata g-moll for cello and piano (pianoforte)” (on the instrumental concert) of G. F. Hendel

Natalya Khmel

75-86
- pdf (Русский)
- pdf (eng)
Author's language as a genre-style factor of chamber-vocal poetry F. Schubert.

Du Zhou

87-100
- pdf (Русский)
- pdf (eng)
V. Gubarenko opera-balet «Viy»: some semantic aspects of the gogol plot’s interpretation.

In’ Tsyayuan’

101-116
- pdf (Русский)
- pdf (eng)
Historical and theoretical prerequisites for the study of musical poetics of chamber music by M. Musorgsky

Liu Nan

117-131
- pdf (Русский)
- pdf (eng)
Creschendo of images of hell as a method of intonation dramatic opera “Danaides” by A.Salieri

Liu Bin

131-143
- pdf (Русский)
- pdf (eng)
Lyrical genesis of the music and on-, outindividual forms of his manifestation in temple chant of China and Europe

Van Mincze

143-155
- pdf (Русский)
- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Form-forming process as the basic basis of the logic of musical thinking

Galina Zavgorodnaya

156-167
- pdf (Русский)
- pdf (eng)
Strategies for innovative sociocultural projection in Ukraine of the XXI century

Oleksandr Yakovlev

167-174
- pdf (Русский)
- pdf (eng)
On the stylistic approach to the study of modulations in the university course of harmony.

Olga Nivelt

175-185
- pdf (Русский)
- pdf (eng)
Dialogical conditions and semantic peculiarities of operational text functioning

Anatoly Nosulya

186-197
- pdf (Русский)
- pdf (eng)
Non-imitative polyphony in the light of chronotypology of polyphonic systems.

Nataliya Belichenko

198-210
- pdf (Русский)
- pdf (eng)
Two fragments of B. Javorskii’s research activity in the context of music thinking of the epoch

Natalya Liva

210-223
- pdf (Русский)
- pdf (eng)
Dialogue of traditions in the opera by A. Tigranyan "Anush".

Gayane Arutyunyan

223-234
- pdf (Русский)
- pdf (eng)
Semantic properties of vocal-pop performance in the context of the theory of interpretation.

Ivan Bobul

235-245
- pdf (Русский)
- pdf (eng)
Number as a form-building principle of musical composition

Hanna Kopiika

245-256
- pdf (Русский)
- pdf (eng)
Genre-style model of instrumental piano cycles in the works of ukrainian composers of the late twentieth century.

Мaryna Ilechkо

257-264
- pdf (Русский)
- pdf (eng)
The main tendencies of the analysis of the works of O.Messian in the western musicological discourse.

Olena Strylchuk

265-275
- pdf (Русский)
- pdf (eng)
Phenomenon of piano thinking and actual methods of its study.

Gan Xiaoxue

275-286
- pdf (Русский)
- pdf (eng)
Specificity of composer’s novel interpretation of Victor Hugo “Notre-Dame De Paris”in vocal ballad of Shang Dei

Cao Xe

287-300
- pdf (Русский)
- pdf (eng)
Vocal cycle of poems with music in the structure and content оpera San Bo "Butterfly"

E Syanvey

301-311
- pdf (Русский)
- pdf (eng)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

National-style basis of modern serbian guitar art

Elena Khoroshavina

312-325
- pdf (Русский)
- pdf (eng)
The interpreter of the vocal cycle "Poem of the day" by G. Fauré in search of french charm.

Tatyana Zharkikh

326-337
- pdf (Русский)
- pdf(eng)
Features of the vocal-scenic embodiment of the characters of the opera.

Larisa Loboda

337-346
- pdf (Русский)
- pdf(eng)
To the issue of modern music language development in the course of choral score reading (by the example of the cycle of "Six songs" by Hindemith).

Nataliya Selezneva

347-360
- pdf (Русский)
- pdf(eng)
The influence of concert tours on the development of the piano art of the western ukrainian region in the 19th century.

Tatiana Fedchun

360-373
- pdf (Русский)
- pdf (eng)
Jazz compositions for domra by V. Vlasov

Valentyna Kyrychenko

373-382
- pdf (Русский)
- pdf(eng)
Harmonica "chroma" in the musical culture of Ukraine and Russia: historical and organological aspects

Vladimir Chefranov

383-391
- pdf (Русский)
- pdf(eng)
Heroes of Gogol in the musical-scenic embodiment in the show “Viy” of the Odessa national theater of opera and ballet

Natalia Kadanceva

392-402
- pdf (Русский)
- pdf(eng)
Works for domra solo in forming the sound image of the instrument

Irina Formanyuk

403-415
- pdf (Русский)
- pdf(eng)
Impressionist-symbolist decorations of sonatina Mykola Kolessa.

Tetyana Chaban

415-426
- pdf (Русский)
- pdf(eng)
The genre and style dialogicality of the chamber-vocal art as the subject of the musicologycal discourse

Liu Yuthen

426-438
- pdf (Русский)
- pdf(eng)
Oratoriality as a stylistic measurement and a semantic dominant of piano performing

Ma Xingxing

438-451
- pdf (Русский)
- pdf(eng)