Твори для домри соло у формуванні звукового образу інструмента

Irina Formanyuk

doi:10.31723/2524-0447-2017-24-403-415

Irina Formanyuk Odessa National A. V. Nezhdanova Academy of Music.

DOI: https://doi.org/10.31723/2524-0447-2017-24-403-415

Keywords: Keywords: domra, solo, works for domra solo, sound image of domra, timbre, timbrality, detail, glissando, tremolo, bell.

Abstract

Objective. The article reveals the specific properties of the sound image of domra and the place in its formation of works for domra solo on the example of the play "Chimes" by A. Oleinik. The methodology of the research consists in the application of classical methods of historical and theoretical musicology, among which the holistic intonational analysis method, which allows to reveal the performing model of works for domra solo. The scientific novelty of the work is the formulation and development of an actual topic, which in the scientific dimension has not received a comprehensive and objective coverage. The features of the entry of the performer-domrist into the world of "new" music through works for domra solo are revealed. Conclusions. The sound image of modern domra shows the ability for a functional multiplicity, which is clearly represented in works for a solo instrument, in a "pure" domra sound. The latter demonstrates a wide range of characteristics from transparency to orchestrality, from monotony to different kinds of polyphony, from folklore to academicism and pop and jazz exits.
Keywords: domra, solo, works for domra solo, sound image of domra, timbre, timbrality, detail, glissando, tremolo, bell.

Author Biography

Irina Formanyuk, Odessa National A. V. Nezhdanova Academy of Music.

Formanyuk Irina Vladimirovna
Senior Lecturer at the Department of Folk Instruments,the Odessa National A. V. Nezhdanova Academy of Music

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Works for domra solo in forming the sound image of the instrument