Імпресіоністично-символістські оздоби сонатини Миколи Колесси

Tetyana Chaban

doi:10.31723/2524-0447-2017-24-415-426

Tetyana Chaban Odessa National A. V. Nezhdanova Academy of Music.

DOI: https://doi.org/10.31723/2524-0447-2017-24-415-426

Keywords: Keywords: impressionism, symbolism, decorations, “tender” Neoclassicism, sonatina.

Abstract

The work objective. The paper is devoted to the disclosure of impressionist-symbolist decoratiosn in the works of Mykola Kolessa, which represent the response of the author to the “the call of time”, “the spirit of times”. Methodology relies on the complex of methods as follows: stylistic comparative, cultorological and hermeneutic. The scientific novelty is defined by the originality of theoretical idea, accentuation in the heritage of the mentioned above author, trust inthe stylistical characteristics of impressionism-symbolism and through their “tender” Neoclassicism, as well as independency of analysis in the mentioned aspect of the given sonatina. Conclusion. Sonatina is an outstanding example of combination of the achievements of popular and professional art, since it combined both features of modernist style and the West Ukrainian folklore. The composer skillfully combines in his works techniques of musical impressionism-symbolism with the folklore thematic invention authenticity, without using the quotations.
Keywords: impressionism, symbolism, decorations, “tender” Neoclassicism, sonatina.

Author Biography

Tetyana Chaban, Odessa National A. V. Nezhdanova Academy of Music.

Chaban Tetyana
assistant-trainee of the department of special fortepianothe Odessa national A. V. Nezhdanova academy of music.

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Impressionist-symbolist decorations of sonatina Mykola Kolessa.