Interaction of worded genre forms in the musical text of opera (in the example of M. Musorgsky’s creativity)

Взаємодія словесних жанрових форм в музичному тексті опери (на прикладі творчості М. Мусоргського)

Abstract

The purpose of the article is to discover the significance of public-verbal genre forms in the development of the musical language of the opera, to reveal the specific tendencies of their transformation in the musical text of the opera. The methodology of work is based on literary and musical approaches to the study of linguistic-communicative means, envisages a semioological deepening of textual musicological analysis. The scientific novelty of the research is due to the introduction of new genre and language-speech criteria for studying the operatic language, which allow determining the synthetic forms of operatic solo-vocal lexicons, in particular, in the work of M. Mussorgsky. The conclusions of the work indicate, firstly, that the leading role in the development of the operatic vocal language of the influence of literary genres, associated with rhetorical practice and the leading communicative life-spoken areas, in the second, on the innovative achievements of M. Mussorgsky, which marked the further development the musical language of the opera as a synthetic, compatible with verbal genres.