No 26 (2018): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524-0447-2018-26

Published: 2018-04-25

Full Issue

Завантажити номер одним файлом (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Category of music inspiration in the conceptive content of psychology of art: on the unity of philosophical-aesthetic and artistic knowledge methods.

Oleksandra Samoilenko

7-17
- pdf (Українська)
- pdf (eng)
Justification of the semiological approach to the problem of musical motority.

Olga Voronovskaya

18-30
- pdf (Українська)
- pdf (eng)
Specific nature of musical thinking in the context of pianistic activity

Olga Chebotarenko

30-41
- pdf (Русский)
- pdf (eng)
Creativity as a factor of art will in composing and performing activities

Elena Khoroshavina

41-52
- pdf (Русский)
- pdf (eng)
The category «classical» in the mass public perception: a historical and modern view.

Alexandra Fedorova

52-62
- pdf (Русский)
- pdf (eng)
Interaction of worded genre forms in the musical text of opera (in the example of M. Musorgsky’s creativity)

Guo Qianping

63-74
- pdf (Русский)
- pdf (eng)
Melodic bases of piano style of F. Chopin: actual musicological approaches

He Venley

74-86
- pdf (Русский)
- pdf (eng)
Dialogical prolegomenes of the Crimean cultural landscape (cultural context)

Tetiana Mladenova

86-98
- pdf (Русский)
- pdf (eng)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

Artistic and aesthetic preconditions for the development of a chamber opera in the XX–XXI centuries

Anatoliy Nosulya

99-111
- pdf (Русский)
- pdf (eng)
The phenomenon of the instrumental theater in the works of Ukrainian composers of the second half of XX centuries

Nadezhda Broyako, Veronika Dorofeeva

111-122
- pdf (Українська)
- pdf (eng)
Requiem K. Jenkins: the past and the present of the genre tradition

Yurii Kuchurivskyi

122-134
- pdf (Українська)
- pdf (eng)
Features of the Transfiguration Worship in the east Slavic singing orthodox tradition in the late XIV — the first half of the XV centuries in the context of the church charter changing process

Kristina Diablova

135-148
- pdf (Русский)
- pdf (eng)
The features of becoming a flute as an ensemble instrument in French music at the turn of the XIX–XX centuries

Anna Lukatskaya

148-160
- pdf (Українська)
- pdf (eng)
Parties soprano in lyrical operas R. Wagner, J. Verdi and P. Tchaikovsky

Wang Mingjie

161-172
- pdf (Русский)
- pdf(eng)
Genre sources of musical imagery of twentieth century piano polyphonic cycles

Zhou Daping

172-185
- pdf (Русский)
- pdf(eng)
The features of dramaturgy and formation of S. Rachmaninoff «variations on a theme of F. Chopin» For piano, op. 22

Lu Yujing

186-200
- pdf (Русский)
- pdf (eng)
The first intermezzo in the music history: R.Schumann, op.4, №1

Lu Do

200-213
- pdf (Русский)
- pdf (eng)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

Clarinets repertoire хх century in interpretation his wealth instrumentalists of the Odessa.

Zinoviy Burkackiy

214-225
- pdf (Русский)
- pdf (eng)
«Thinking with sounds of music»: didactic perspectives of Wolfgang Guggenberger system in the teaching process of trumpet scholar.

Petro Vakalyuk

225-234
- pdf (Українська)
- pdf (eng)
Electronic bayan (accordion) in musical culture: history, aesthetics, organology.

Volodimir Chefranov

234-246
- pdf (Українська)
- pdf (eng)
Ukrainian school of vocal art: traditions and contemporaneity

Olexandr Rudenko

246-255
- pdf (Українська)
- pdf (eng)
Methodical developments of bandurists Zinovy Shtokalka and Vasily Emets.

Irina Druzhga

255-266
- pdf (Українська)
- pdf (eng)
Yevhen Vakhniak conducting school against the background of choral culture of ukraine

Vasyl Chuchman

266-282
- pdf (Українська)
- pdf (eng)
Features of pianist training in ukrainian artistic education.

Zhang Xiangyong

282-291
- pdf (Русский)
- pdf (eng)