Ukrainian composer's creativity of the period «border of centuries» of the XIX-ХХ-th centuries and the problems of аrtly–world outlook traditions. Trends in becoming

Українська композиторська творчість періоду «порубіжжя» ХІХ-ХХ ст. і проблеми художньо-світоглядних традицій. тенденції становлення

Abstract

The purpose of the work is to investigate the tendencies of the development of аrtly–world outlook traditions in the Ukrainian composer creativity of the period of «border of centuries» of the XIX-ХХ-th centuries. The methodology of the research is based оn scientific cultural, philosophical, aesthetic, psychological and musicological theories, as well as comparative-historical, system-typological and structural-analytical methods. The scientific novelty of the work consists in the further theoretical development of the historical and cultural formation of artistic and world-view traditions in the Ukrainian composer's creativity of the period «border of centuries» of the XIX-ХХ-th centuries. Conclusions. The main trends in the development of аrtly–world outlook traditions in the works of Ukrainian composers of the period of the «border of centuries» of the XIX-ХХ-th centuries are, firstly, personalization, since in the consciousness of the Ukrainian people one of the major changes in the degeneration of the national «We» into the national self has occurred. Secondly, mythologization, as an important part of world-wide searches of Ukrainian composers. Third, the appeal to folklore sources. Fourthly, the revival of the national idea, as an ethno-cultural principle in the аrtly–world outlook traditions of Ukrainian composers.