Vol 1 No 27 (2018): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524–0447–2018–27–1

Published: 2018-10-24

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

The Second symphony of V. Silvestrov in the evolution of the composer’s work

Nina Dovgalenko

5-15
- pdf (Українська)
- pdf_eng
New tendencies of modern composer poetics (on the example of creativity of Y. Gomelskaya)

Anatolii Nosulya

5-27
- pdf (Українська)
- pdf_eng
Genre-style aspects of N. Lysenko’s choral poem «Ivan Hus» in the context of the Ukrainian national-religious idea

Irina Shevchuk

28-40
- pdf (Українська)
- pdf eng
The organ cycle of Jeanne Demessieux «12 Choral-Preludes on Gregorian Chant Themes»

Hanna Kopiika

40-62
- pdf (Русский)
- pdf eng
Typological features of the chamber-vocal miniature in the works of the modern Ukrainian composers

Andriy Polkanov

62-72
- pdf (Українська)
- pdf eng
Musical time as an aesthetic idea of piano-performing creativity

Sun Peiyan

73-83
- pdf (Українська)
- pdf_eng
Modifications of the cyclic symphony in the works of Ukrainian composers of the twentieth century: historiography of the genre

Tzu Lingui

83–95
- pdf (Українська)
- pdf_eng
The category of opera style as the basis of the theoretical model of modern opera theater

Zhang Miao

95–105
- pdf (Українська)
- pdf_eng
About lyrical genesis of the opera – a music drama in Еurope and in China

Vang Mingjze

106–118
- pdf (Українська)
- pdf_eng

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Ukrainian composer's creativity of the period «border of centuries» of the XIX-ХХ-th centuries and the problems of аrtly–world outlook traditions. Trends in becoming

Maryna Severynova

119–128
- pdf (Українська)
- pdf_eng
The concept field of musical motority

Olga Voronovskaya

128–139
- pdf (Українська)
- pdf_eng
The concept of creative personality modes in modern musicological research

Elena Khoroshavina

139–150
- pdf (Українська)
- pdf_eng
Musical style as an aesthetic сategory

Alexander Zlotnik

150–159
- pdf (Українська)
- pdf_eng
Dialogue as the basis of the festivals «Two days and two nights of new music» creative concept

Anna Stoianova

160–172
- pdf (Русский)
- pdf_eng
Ballad complex as musically language modality in piano F. Chopin's creativity

He Wenli

173–183
- pdf (Українська)
- pdf_eng
Genre-thematic foundations of the Italian opera: from historical origins to vocal performing autonomy

Wang Longchuan

184–195
- pdf (Українська)
- pdf_eng
The archetype of mask in the European opera and theatre tradition

Zhao Ziyuan

196–204
- pdf
The nature and rhetorical features of the operatic word

Guo Qianping

205–214
- pdf (Українська)
- pdf_eng
Musical the sphere of concepts of "women's theme" in European opera creativity

Zhang Yiven

214–226
- pdf (Русский)
- pdf_eng

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

Intonational archetypes as a source of emotional information for the actor of the Musical theatre

Olga Oganezova-Grigorenko

227–236
- pdf (Русский)
- pdf_eng
Substantial aspects of musical sound in bayan performances

Vladimir Murza

237–245
- pdf
Performing individuality of Professor L. N. Ginzburg in the formation of traditions of the Odessa piano school

Tatiyana Fomina

246–258
- pdf (Українська)
- pdf_eng
Conductor’s gesture in the structure of executive interpretation of the orchestra conductor

Svetlana Murza

259–266
- pdf (Українська)
Works and performances of M. Shimanovskaya, I. Paderewski as a Biedermeier style line in Polish music

Natalia Chuprina

266–279
- pdf (Українська)
- pdf_eng
Creative-personal principles of the compositor's positions of D. Shostakovich in the light of the autorological approach

Hanna Yezerskaya

280–291
- pdf (Українська)
- pdf_eng
Technological and psychophysiological specificity of the vocal duet

Larisa Stadnichenko

291–299
- pdf (Русский)
- pdf_eng
Musical and plastic nature of choreographic art

Volodymyr Kleschukov

300–309
- pdf (Українська)
- pdf_eng
Integrational connections between English and solfeggio

Anna Utina

310–323
- pdf (Українська)
- pdf_eng
Musical-textological principles of opera interpretation

Liu Shitin

323–334
- pdf (Русский)
- pdf_eng
Opera intoning as synthetic art and expressional phenomenon

Dong Xinyuan

335–344
- pdf (Українська)
- pdf eng
Early Beethoven’s sonatas in the centre of stylistics of “bachianstvo” of creativity of named period

Lin Junda

345–358
- pdf (Русский)
- pdf eng