Psychological prerequisites and conditions of opera vocal-intonational interpretation.

Психологические предпосылки и условия оперной вокально-интонационной интерпретации

Abstract

The work purpose – to prove need of attraction of the theory and the methodical principles of psychological theater in an operalogy, to open prerequisites and ways of use of system of K. Stanislavsky in opera creativity, in improvement of opera dramatic art. The methodology of a research assumes synthesis of theaterologycal and musicological approach, a discourse-analysis in relation to K. Stanislavsky and V. Nemirovich-Danchenko's doctrine and psychology of art. The scientific novelty of article consists in development and expansion of psychological approach to opera vocal-intonational interpretation as to artistic musical and theatrical activity, in deepening from an operalogy side of idea of psychological theater as a special art and creative phenomenon. Conclusions of work allow to define the main interpretive objectives of the director, conductor and singer-actor, organizing opera statement, to find their specifics and art and semantic unity.
Keywords: psychological theater, K. Stanislavsky's system, singer-actor, interpretation, operalogy, opera semantic formation, opera figurative and scenic expression.