No 21 (2015): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524-0447-2015-21

Published: 2015-12-25

HISTORY AND THEORY OF MUSIC ART AND CULTURE

French theater Madame Emilia Keller in Odessa.

Nataliya Ostroukhova

8-14
- pdf (Українська)
- pdf (eng)
Robert Shuman: romanticism-innovator

Olha Nivelt

15-33
- pdf (Русский)
- pdf (eng)
The mazurkas trilogy by Glinka of 1834–1835 years and its artistic meanings

Inna Timchenko-Bykhun

33-47
- pdf (Русский)
- pdf (eng)
Eastern christian culture in determining how the development of the european musical and historical tradition.

Olha Muravska

47-59
- pdf (Русский)
- pdf (eng)
The serial’s structures in compositions by V. Silvestrov

Nina Sergiivna Dovgalenko

59-68
- pdf (Українська)
- pdf (eng)
Expressive aspects of creativity S. Frank (the example of the cycle «Prelude, Chorale, Fugue»).

Olena Balan

77-87
- pdf (Русский)
- pdf (eng)
Rococo and sentimentality as the genesis of ethics, aesthetics Biedermeier (for example, clavier / piano works abroad XVIII–XIX centuries).

Nataliya Chuprina

96-106
- pdf (Русский)
- pdf (eng)
National dance trends in operas «The siege of Dubno» by P. Sokalskiy and «Taras Bulba» by N. Lysenko based on the story by N. Gogol.

Tetiana Kaznacheeva

107-117
- pdf (Русский)
- pdf (eng)
Poetics cantata genre and its implementation of the choral works of Prokofiev.

Nataliya Lysenko

117-129
- pdf (Русский)
- pdf (eng)
Repertoire in terms of policy: changes in the musical life of Lviv since September 1939

Mar’yana Pochapska

130-138
- pdf (Українська)
- pdf (eng)
Opera «Don Quixote» K. Alffter: the traditional and the innovative in the interpretation of the «eternal» image

Viktoriia Mishchuk

138-148
- pdf (Русский)
- pdf (eng)
Phenomenon of violin cover in the context of modern popular music culture.

Kateryna Shvets

148-158
- pdf (Русский)
- pdf (eng)
A children's subject and figurativeness in choral music: art and communicative aspect.

Larysa Dolynska

159-166
- pdf (Русский)
- pdf (eng)
Evolution of interpretation of Ivan Franko’s poetry in Myroslav Skoryk’s works: from neofolklorism to egalitarianism.

Ilona Eltek

167-175
- pdf (Українська)
- pdf (eng)
Verismo and symbolism in piano plays of Odessa composers in the 1950 s — 1960-s (by example of works made by K. Dankevich and S. Orfeev).

Lu Keting

176-187
- pdf (Русский)
- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Phenomenon of music space the aspect of tradition: East — West.

Galyna Zavgorodnia

188-197
- pdf (Русский)
- pdf (eng)
Conciliarity problem as factor of author’s style of orthodox liturgical tradition

Svitlana Osadcha

198-205
- pdf (Русский)
- pdf (eng)
Historical background of polystylistics in music.

Yuliia Grybynenko

206-214
- pdf (Русский)
- pdf (eng)
On the classification of musical instruments.

Alla Chernoivanenko

215-226
- pdf (Русский)
- pdf (eng)
Cultural aspects of the study of film music by Ukrainian composers.

Alexandra Ovsiannikova-Тrel

227-236
- pdf (Русский)
- pdf (eng)
Improvisers orchestra as communicative phenomenon of modern musical culture.

Kira Maidenberg-Todorova

237-247
- pdf (Русский)
- pdf (eng)
The concept of energy — energeticalness in music and musicological terminology.

Ihor Pristalov

247-256
- pdf (Русский)
- pdf (eng)
Vectors musical time in the works of Olivier Messiaen.

Olena Strilchuk

257-265
- pdf (Русский)
- pdf (eng)
Pieces for solo domra: philosophical-aesthetic and musical-technological base of miniaturization.

Iryna Formaniuk

265-275
- pdf (Русский)
- pdf (eng)
New communicative — application functions of classical music: the problem of music subcultures.

Oleksandra Fedorova

275-285
- pdf (Русский)
- pdf (eng)
roblem of the children’s subject in science art the XX century and it prolongation in nurseries B. Bartok and V. Kosenko’s cycle

Wang Chenduo

286-294
- pdf (Русский)
- pdf (eng)
Opera melody as a subject of musicological discourse: to the problem statement.

Bai Quan

295-304
- pdf (Русский)
- pdf (eng)
A category of «concept« in the paradigm of the European and Chinese musical culture

Lew Tseu

305-316
- pdf (Русский)
- pdf (eng)
Vocal intonation as a factor in the semantic typology of an opera creation.

Wu Huimin

316-323
- pdf (Русский)
- pdf (eng)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

Artistic catharsis as emotional and semantic transformation of the identity of the actor of the musical.

Olha Oganezova-Grygorenko

324-333
- pdf (Русский)
- pdf (eng)
Problems of formation of the pianists’ hearing based on the materials of the modern music in the course of choir score reading. The

Nataliya Seleznyova

334-345
- pdf (Русский)
- pdf (eng)
Sonata for Piano by S. Slonimsky: features of the forming and the performing interpretation.

Olexandra Sapsovich

345-354
- pdf (Русский)
- pdf (eng)
Tours V. V. Andreev of 1912–1913 and their role in formation of art balalaika Ukraine.

Olexandr Murza

354-363
- pdf (Русский)
- pdf (eng)
Typological functions of music and performing dialogue and modern. performing practice.

Mariya Marushko

364-375
- pdf (Русский)
- pdf (eng)
Traditions of German piano higher school in the world performing.

Yuliia Rusnak

376-387
- pdf (Русский)
- pdf (eng)
Dialogue of epochs in opera (on the issue of an artist preparation for presentation of the artistic image of an opera character).

Valeriy Benderov

387-398
- pdf (Русский)
- pdf (eng)
German — an Italian artistic traditions in shaping the genre trio-sonatas (on example of the comparison of the compositions Teleman and Vivaldi).

Tamara Polianska

398-405
- pdf (Українська)
- pdf (eng)
The Odessa period of life and creativity of an outstanding regent Mikhailo Litvinenko

Iryna Kondratenko

406-415
- pdf (Українська)
- pdf (eng)
Genre of String Quartet in the work of the Odessa composers’ school

Hanna Antropova

415-427
- pdf (Русский)
- pdf (eng)
Part of the lord Artur in the opera «Puritans» of Bellini as the center of lyrics in heroic role of tenor singing.

Du Fanyong

428-437
- pdf (Русский)
- pdf (eng)
Problems of interpretation of Musorgsky’s chamber vocal music

Liu Nan

438-449
- pdf (Русский)
- pdf (eng)
Genre and aesthetic prerequisites of vocal and performing interpretation of the opera image

Zhang Kai

449-458
- pdf (Русский)
- pdf (eng)
Principles of forming one-part musical composition (for the example plays F. Schumann "Rush").

Nu Nin

459-467
- pdf (Русский)
- pdf (eng)
Bass parts in operas by R. Wagner in the alternative images of heroes and anti-heroes

He Jianhui

468-481
- pdf (Русский)
- pdf (eng) (Русский)