The evolutionary role of «transition age» for the Orthodox liturgical singing: from the authority of tradition to the phenomenon authorship.

Эволюционная роль «переходных эпох» в развитии православного богослужебного пения : от авторитета традиции к феномену авторства

Abstract

The article considers the evolutionary role of «transitional» era in the development of Orthodox liturgical singing - the XIX-XX and XX-XXI centuries. Draws attention to the fact that it is singing, musical side was able to most clearly identify and display the psychological processes taking place in society. In this context it is particularly important is the consideration of the phenomenon of authorship and its relationship to tradition.
Keywords: Orthodox liturgical singing, liturgical singing-system, sacred music, church tradition, the author.