No 19 (2014): Music art and culture | Music art and culturе

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Музичне мистецтво і культура

DOI: https://doi.org/10.31723/2524-0447-2014-19

Published: 2014-10-10

HISTORY AND THEORY OF MUSIC ART AND CULTURE

Enclosed instrumentarium of kobzar and lyre tradition

Mykhailo Khai

9-21
- pdf (Русский)
- pdf (eng) (Русский)
To the origin and semantics of the term “husly”

Iryna Zinkiv

22-32
- pdf (Русский)
- pdf (eng) (Русский)
«Фауст» Ш. Гуно в русле жанрово-стилевой и мифопоэтической специфики французской лирической оперы

Olha Muravska

43-52
- pdf (Русский)
- pdf (eng)
Valued-semantic contents of modern Ukrainian musical historiography : dialogic approach

Volodymyr Ionov

53-62
- pdf (Українська)
- pdf (eng)
From concept to implementation: comment of composer (based on materials of interview with Aleksandr Krasotov).

Svitlana Poliakovska

62-71
- pdf (Русский)
- pdf (eng)
The discourse of the media system in modern studies with cultural character.

Adriana Skoryk

71-82
- pdf (Українська)
- pdf (eng)
Transnational Humanitarian Projects in Synergy of Cultural Spaces of Ukraine.

Oleksandr Yakovlev

82-90
- pdf (Українська)
- pdf (eng)
Features of style creation in the work of R. Shchedrin.

Olena Kuchma

90-100
- pdf (Українська)
- pdf (eng)
Dance culture of the Renaissance

Olha Voronovska

101-112
- pdf (Українська)
- pdf (eng)
Spiritual semantic and stylistic and genre aspects of the Liszt's oratorio «Christ».

Galyna Shpak

113-123
- pdf (Русский)
- pdf (eng)
Evolution traditions professional vocal performances in the XVII century (on the example of Benigne de Bacilly).

Larysa Loboda

124-133
- pdf (Українська)
- pdf (eng)
«Diptych» by Myroslav Skoryk: genre features.

Oleksandr Perepelytsia

133-140
- pdf (Русский)
- pdf (eng)
The school of opera stage direction by Alexander Kolodub.

Pavlo Pohodzey

141-151
- pdf (Українська)
- pdf (eng)
«Freischütz» Weber's style in the context of pursuit of German musical theater the first half of the XIX century.

Anzhelika Tatarnikova

151-162
The forms and formulas in choral music of L. Dychko (by example of two acapella cantatas «The seasons» and «Carpathian cantata»).

V. Semkovich

162-171
- pdf (Українська)
- pdf (eng)
The semantics of the image of Don Quixote at the opera creativity J. Massenet.

Viktoriia Mishchuk

171-181
- pdf (Русский)
- pdf (eng)
Classic style trends of orchestral music and creativity Haydn.

Zou Wei

181-190
- pdf (Русский)
- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Laws of polyphony as the basis for the evolution of musical thinking.

Galyna Zavhorodnya

191-201
- pdf (Русский)
- pdf (eng)
Triad aesthetic- ethics-fideistic as a fundamental principle culture.

Svitlana Osadcha

202-211
- pdf (Русский)
- pdf (eng)
The concept of «absolute music» in the development of musical instrumentalism.

Alla Chernoivanenko

212-224
- pdf (Українська)
- pdf (eng)
Socio–Cultural Ambivalence in Chamber Instrumental Ensemble Genres.

Liudmyla Povzun

235-245
- pdf (Українська)
- pdf (eng)
New sacral music: artistic and stylistic fusion of traditions and novations (Latin language aspect).

Yevgeniia Bondar

254-264
- pdf (Українська)
- pdf (eng)
The phenomenon of hypertext as a form of music and the way the mind.

Yuliia Grybynenko

265-274
- pdf (Русский)
- pdf (eng)
Aesthetic significance of composer intention into D. Kuorliandski’s aleatoric-sonoristic composition «Wireless technologies».

Kira Maidenberg-Todorova

275-284
- pdf (Русский)
- pdf (eng)
Euphrosyne of Polotsk in Old Russian сhurch сhant and hagiographic tradition.

Tetiana Kaplun

284-295
- pdf (Русский)
- pdf (eng)
Structural and semantic features opera text.

Valerii Rehrut

296-305
- pdf (Русский)
- pdf (eng)
The theoretical preconditions to study of the phenomenon of suite in music.

Maryna Петрівна Ilechko

306-314
- pdf (Українська)
- pdf (eng)
Principle of theatricality and forms of its use in music.

Maryna Perepelytsia

315-323
- pdf (Русский)
- pdf (eng)
Рarticular embodiment of artistic and musical-dramatic content in the chamber opera.

Anatolii Nosulia

324-330
- pdf (Українська)
- pdf (eng)
General humanitarian background research the author's style in music.

Inna Hodyna

331-342
- pdf (Русский)
- pdf (eng) (Русский)
About genre synthesis Karl Jenkins «Mass of the world».

Yuriy Kuchurivskyy

342-350
- pdf (Русский)
- pdf (eng)
The reintoning as experience of scientific interpretation of musical ethnic text: to the question of the free pitch musical system.

Anastasiia Mazurenko

350-358
- pdf (Українська)
- pdf (eng)
Recitative is a factor of genre-stylish evolution of the opera work.

Zhi Yin

358-367
- pdf (Русский)
- pdf (eng)
«New piano» by S. Prokofiev: performance and composing aspects

Ayisi Ayisi

367-374
- pdf (Русский)
- pdf (eng)
Signs of cyclicity in the suite «Images» for piano by Claude Debussy.

Jiang Manni

374-382
- pdf (Русский)
- pdf (eng)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

К проблеме типологизации артистических исполнительских стилей

Ivan Yergiyev

383-395
- pdf (Русский)
- pdf (eng)
Тhe sociocultural aspects of forming of professionalism of artist of musical.

Olha Oganezova-Grygorenko

395-404
- pdf (Русский)
- pdf (eng)
Sound as the meaning energy field (on example of the piece from the cycle «Musical dedications» by B. M. Filz): the performance aspect

Olha Chebotarenko

405-410
- pdf (Русский)
- pdf (eng)
«Mystery of God didn’t think to solve…». For the question of «Returning» in the Prelude h-moll op.32№10 by S.Rachmaninov.

Galyna Dubrovska

411-421
- pdf (Русский)
- pdf (eng) (Русский)
Evolution of fixation methods of the dance moves.

Tetiana Kaznacheeva

422-432
- pdf (Русский)
- pdf (eng)
Temporal aspects of the interpretation of fairy imagery in N. Metner piano music.

Tetiana Shevchenko

433-443
- pdf (Русский)
- pdf (eng)
The features of harp party transcription for bandura on example of «Concerto for organ (or harp) and string orchestra B-dur» by G. F. Handel in transcription for harp and piano of M. G. Parfenov and transcription for piano and bandura by J. G. Pukhalsky.

Nataliia Khmel

444-451
- pdf (Українська)
- pdf (eng)
Genesis of competitive-festival movement: the formation of traditional models.

Serhii Savenko

452-461
- pdf (Русский)
- pdf (eng)
Prokofiev's first piano concert as subject of style plurality of performing interpretations.

Olena Khil

462-471
- pdf (Русский)
- pdf (eng)
Violin performing arts as an important component of modern mass culture.

Kateryna Shvets

471-480
- pdf (Русский)
- pdf (eng)
Repertory is as a criterion of modern opera practice.

Zhang Kai

481-489
- pdf (Русский)
- pdf (eng)
The periods and factors of historical development of the concertmaster’s art in the European chamber vocal-clavier music.

Huang Jia

490-500
- pdf (Русский)
- pdf (eng)
Synthetic nature of opera character is in operas of V. Mozart.

Wang Peng

501-509
- pdf (Русский)
- pdf (eng)
The Eighth sonata A. Skrjabin abreast last compositions of the composer in named genre.

Yui Le

510-519
- pdf (Русский)
- pdf (eng)