Author Guidelines

The editorial board of the scientific bulletin of the Odessa National Academy of Music "Art and Culture" (hereinafter - the bulletin) in its work is guided by the legislation of Ukraine in the field of education, research and intellectual property.

Scientific and scientific-methodical articles are accepted for publication in the scientific journal "Musical Art and Culture" of the Odessa National Music Academy named after AV Nezhdanova, which are the result of original research in the relevant fields of knowledge, have not been published anywhere before and meet the principles of academic integrity. on Higher Education, latest edition № 2145-VIII of 05.09.2017, VVR, 2017, № 38-39, p. 380).

The editorial board of the collection of scientific works "Musical Art and Culture" invites to cooperation specialists of art history, teachers and students of higher educational institutions of musical art and culture.

The subject of the publication is conditioned by actual problems and modern concepts of musicology, musical culturology, musical aesthetics.

Articles are accepted in Ukrainian, Russian and English.

MAGAZINE SECTIONS
1. History and theory of musical art and culture
2. General theoretical aspects of musicology
3. Problems of modern music pedagogy and performance

PROCEDURE FOR SUBMISSION OF MATERIALS
To publish an article in the scientific journal "Musical Arts and Culture" № 30 Vol 2 it is necessary before October 16, 2020:
1. fill in the certificate of the author;
2. send an article to e-mail visnyk.music@gmail.com;
3. send to the e-mail visnyk.music@gmail.com a scanned receipt of payment of the publication fee (after passing the peer-reviewed article).

Materials submitted in violation of the standards are not accepted for review and publication. The editors reserve the right to edit the materials, reduce them and clarify the name. The published materials express the position of the author, which may not coincide with the opinion of the editors. The author is responsible for the reliability of facts, statistics and other materials.

TECHNICAL REQUIREMENTS FOR ARTICLE DESIGN
1. UDC is indicated to the left of the article title.
2. The volume of the article is 12–18 pages (size - 14, in 1.5 intervals). Margins: not less than 2 cm.
3. Information on the author in Ukrainian, Russian and English, containing the following data (without abbreviations and acronyms): surname, name, patronymic, academic degree, academic title, position indicating the structural unit and the name of the institution at the main place of work of the author , e-mail, ORCID (required). If the author does not have an orcid code, you can get it at https://orcid.org/
4. Title of the article in Ukrainian, Russian and English.
5. Annotations and keywords are given in three languages: Ukrainian, Russian, English. The abstract should contain the following selected elements: purpose of work, methodology, scientific novelty, conclusions.
The average volume of annotations - each 1800 characters at least. After each annotation, the keywords are given in the appropriate language. The set of keywords (a total of not less than three and not more than ten) should reflect the main content of scientific work. Keywords are given in the nominative case, printed in a line, separated by a comma.
6. The structural elements of the article should be highlighted from the paragraph in bold, namely: Relevance of the research topic. The aim of the study. Scientific novelty. Presenting main material. Conclusions. Any statistics provided must be supported by references to sources.
7. References to the text are made in ordinal numbers in square brackets. References: [8, p. 25], where 8 is the ordinal number of the source in the list, 25 is the page number. References to several sources: [8, p. 25; 4, p. 67].
8. The list of used sources is drawn up at the end of the article in the original language in alphabetical order in accordance with the requirements of DSTU 8302: 2015.
References (Latin literature) is given in a completely separate block, repeating the list of literature provided in the national language, regardless of whether it contains foreign sources or not. If the list contains references to foreign publications, they are completely repeated in the list given in Latin. The list of References is made according to the APA standard.

EXAMPLE OF ARTICLE DESIGN

УДК 785.7

Людмила Іванівна Повзун
ORCID: 0000–0002–1133–6330
доктор мистецтвознавства, в.о. професора,
завідувачка кафедри камерного ансамблю
Одеської національної музичної академії імені А. В. Нежданової
l.i.povsun@gmail.com 

МІЗАНСЦЕНІЧНА ТИПОЛОГІЯ КАМЕРНО-АНСАМБЛЕВИХ ЖАНРОВИХ РІЗНОВИДІВ:
ДО ПИТАННЯ ХУДОЖНЬО-ВИКОНАВСЬКОГО ХРОНОТОПУ 

Мета роботи – дослідження мізансценічних моделей камерно-ансамблевого виконавства. Методологія дослідження спирається на системно-аналітичний та компаративний методи. Наукова новизна – обґрунтування мізансценічної типології камерних інструментально-ансамблевих жанрових різновидів, зумовленої семантичними розрізненнями у художньо-виконавському просторі. Висновки. Поняття виконавсько-ансамблевої мізансцени передбачає процес звукового координування всередині виконавсько-ансамблевого простору та перцепційну проекцію у слухацький простір.
Ключові слова: система камерних інструментально-ансамблевих жанрів, виконавський інструментально-ансамблевий хронотоп, ансамблева мізансцена.

Povzun Liudmіla Ivanovna, Doctor of Arts, Acting Professor, Head of the Department of Chamber Ensemble of the Odessa National A. V. Nezhdanova Academy of Music
Staging a typology of chamber-ensemble genre varieties: to the question of artistic and performing chronotope
Research objective. The aim of the work is to study the mission models of chamber-ensemble performance. The methodology of the research is based on the system-analytical and comparative method. The scientific novelty – the substantiation of the stage-oriented typology of chamber instrumental-ensemble genre species, due to semantic differences in the artistic and performing space. Conclusions. The concept of performing and ensemble stage involves sound coordination within the performing – ensemble space and perceptual projection into the listening space.
Keywords: chamber instrumental and ensemble genre system, performer instrumental ensemble Chronotope, performing instrumental ensemble picture.

Повзун Людмила Ивановна, доктор искусствоведения, и.о. профессора, заведующая кафедрой камерного ансамбля Одесской национальной музыкальной академии имени А. В. Неждановой
Мизансценическая типология камерно-ансамблевых жанровых раз-новидностей: к вопросу художественно-исполнительского хронотопа
Целью работы является исследование мизансценических моделей камерно-ансамблевого исполнительства. Методология исследования опирается на системно-аналитический и компаративный методы. Научная новизна – обоснование мизансценической типологии камерных инструментально-ансамблевых жанровых разновидностей, обуслов-ленных семантическими различиями в художественно-исполнитель-ском пространстве. Выводы. Понятие исполнительско-ансамблевой мизансцены предполагает процесс звуковой координации внутри исполнительско-ансамблевого пространства и перцепционную проекцию в слушательское пространство.
Ключевые слова: система камерных инструментально-ансамблевых жанров, исполнительный инструментально-ансамблевый хронотоп, ансамблевая мизансцена. 

СПИСОК ЛІТЕРАТУРИ

1. Александров А. Абстрактные пространства. Математика, ее содержание, методы и значение. Москва, 1956. Т. 3. 151 c. 

REFERENCES

1. Aleksandrov, A. (1956) Abstract spaces. Mathematics, its content, methods and value. Moscow, 1956. Vol. 3 [in Russian].

PUBLICATION CONTRIBUTION
The size of the publication fee is 700 UAH. If the volume of the article exceeds 12 pages, you must pay UAH 50 for each additional page.
The editors of the journal carry out internal anonymous review of the article, after which the authors receive details to pay for the publication.