Compositional and textological functions of the reception of alienation in music
Композиційні та текстологічні функції прийому відчуження в музиці.
Abstract
The purpose – to reveal the meaning and stylistic origin of the reception of alienation in music. The methodology research is provided by the synthesis of aesthetic-semantic and textual approaches. The scientific novelty consists in a new definition of the nature and mechanism of action of acceptance of alienation in music and the disclosure of its predecessors genre stylistic prototypes. The evolution of the semantic complex of chorale and its transitive textual function are revealed. Conclusions. The phenomenon of alienation has a historical and textual origin, penetrates into all genre areas of music, finds the most systematic and purposeful aesthetic and stylistic embodiment in the music of the twentieth century. It reflects the complex processes of structural and semantic contamination that take place in the language domain of musical art, acquires a universal semiotic significance and affects all levels of musical interpretation, including the performance form.
Keywords: alienation, semantic paradigm, aesthetic evaluation, compositional method, text, semantics of chorality.
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