Vol 1 No 31 (2020): Music art and culture | Music art and culturе

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Published: 2020-11-17

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

METAPHYSICAL PROJECTIONS OF THE “LIFE OF SOUND” IN THE KAIJA SAARIAHO’S MUSIC

Valeriia Borysivna Zharkova

5-17
- PDF (Українська)
THE PROBLEM OF ACOUSTIC EVENTS TYPOLOGY IN MODERN ELECTRONIC MUSIC (ON EXAMPLE OF O. NESTEROV’S “COLOURED FLUOGRAPHY”)

Andrii Ihorovych Bondarenko

18-29
- PDF (Українська)
UNIVERSALITY OF COMPOSER’S THINKING IN THE ARTISTIC REFLECTION OF HISTORICAL EVENTS

Kostiantyn Valeriiovych Krepak

29-41
- PDF (Українська)
SPECIFICITY OF DUET AS AN ENSEMBLE FORM OF MODERN BANDURA ART

Оlha Yevhenivna Kubik

42-56
- PDF (Українська)
GALLERY OF MUSICAL PORTRAITS OF COMPOSERS IN THE SEMIOTIC AND COMMUNICATIVE ASPECTS

Iryna Myroslavivna Serediuk

57-68
- PDF (Українська)
TIMBRE-ROLE AS A TOOL OF PSYCHOLOGICAL PORTRAYAL OF THE OPERA IMAGE (ON THE BASIS OF A COMPARATIVE ANALYSIS OF THE PARTIES OF PRINCE AND TOMSK IN THE OPERA P. I. TCHAIKOVSKY’S “QUEEN OF SPADES”)

Viktor Anatoliiovych Mitiushkin

69-83
- PDF (Українська)
COMPOSER’S INTERPRETATION OF I. FRANKO’S POEMS IN THE CHORAL CYCLE OF I. SHAMO

Gao Chiling

84-96
- PDF (Українська)
GUITAR CONCERTOS BY M. GIULIANI: PREREQUISITES FOR CREATION AND COMPOSER STYLE

Liu Yu

97-108
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

SEMANTICS OF SOUND IN THE CONTEXT OF ARTISTIC AND CONSTRUCTIVE ORGANIZATION OF MUSICAL SPACE

Galina Fedorovna Zavgorodnyaya

109-119
- PDF (Русский)
AUTHOR’S MODEL OF POLYSTYLISTICS IN THE WORKS OF V. SILVESTROV (ON THE EXAMPLE OF HIS SONATA FOR VIOLIN AND PIANO “POST SCRIPTUM”)

Yuliia Oleksandrivna Hribinienko

120-131
- PDF (Русский)
CONCEPTUAL ASPECT OF STYLE PHENOMENON OF “NEW SIMPLICITY”

Oleksandra Andriivna Ovsiannikova-Trel

132-146
- PDF (Русский)
EMOTIONAL MEMORY OF THE MUSICIAN-PERFORMER (TO THE ANALYSIS OF THE QUESTION)

Oleksandra Arkadiivna Sapsovych

147-160
- PDF (Русский)
AN INTERPRETATION OF A TRAGIC FEMALE IMAGE IN THE OPERA “ALEKO” BY S. V. RAKHMANINOV

Alla Mykolaivna Gavrilina

161-171
- PDF (Русский)
THE PLACE OF THE VIOLIN COVER PHENOMENON IN THE GENRE-STYLE SYSTEM OF MUSICAL ART

Kateryna Olehivna Kiknavelidze

172-184
- PDF (Українська)
STRUCTURAL AND COMPOSITIONAL PARAMETERS AND STYLE FEATURES OF THE LITANY GENRE IN THE MUSIC AND HISTORICAL CONTEXT

Tetiana Volodymyrivna Matushchak

184-196
- PDF (Українська)
ARTISTIC AND AESTHETIC SYNTHESIS AS THE BASIS OF THE OPERA IMAGE

Liu Shitin

196-207
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

VECTORS OF TRANSFORMATION-TRANSFIGURATION IN THE WORK OF PIANISTCONCERTMASTER OF CONSERVATORY AT VIOLIN GRADE

Galina Nikolaevna Dubrovsksja

208-221
- PDF (Русский)
АBOUT SOME ASPECTS OF THE FORMATION AND DEVELOPMENT OF INTONATIONHEARING CULTURE OF THE REGENT

Maryna Yevhenivna Porokhovnichenko

221-233
- PDF (Русский)
PERFORMANCE ANALYSIS IN THE COURSE OF CHORAL SCORE READING: SUBJECT CONTENT AND METHODOLOGICAL ASPECTS

Iryna Oleksandrivna Shatova

233-247
- PDF (Русский)
THE CONTENT AND ESSENCE OF PROFESSIONAL MOBILITY OF A MUSICIAN-ACCOMPANIST

Viola Hryhorivna Demydova

248-259
- PDF (Українська)
ON THE QUESTION OF TRANSLATION OF PIANO WORKS FOR FOUR-STRING DOMRA AND PIANO: INVENTORY AND INSTRUMENTAL-SOUND FEATURES

Anastasiya Sergeevna Eremenko

260-269
- PDF (Українська)
ACTIVITY BY THE MUSICIANS OF CHERNIHIV REGION AS THE FACTOR OF THE DEVELOPMENT OF REGIONAL CULTURAL SPACE OF THE SECOND HALF OF THE 20TH CENTURY

Oleh Pavlovych Badalov

269-278
- PDF (Українська)
ON THE PROBLEM OF THE PERFORMER’S INTERPRETATION OF THE J. S. BACH’S CLAVIER PARTITA E-MINOR

Oksana Serhiivna Slipchenko

279-288
- PDF (Українська)
THE SPECIFICS OF MASTERING THE MODERN MUSICAL LANGUAGE IN THE EDUCATIONAL CHOIR

Aleksandr Petrovych Vyla-Botsman

289-302
- PDF (Українська)