The concept of «absolute music» in the development of musical instrumentalism.

«Абсолютна музика» у теоретичному музикознавстві.

DOI: https://doi.org/10.31723/2524-0447-2014-19-212-224
Keywords: «absolute music», an autonomous music, musical instrumentalist, instrumental music, philosophy Music.

Abstract

The article analyzes the conceptual and categorical field of the term «absolute music» in the development of academic musical instrumentalism and its role in the history and theory of music. The importance of the concept in a statement on the theoretical and practical level idea of the instrumental paradigm «of music by relying on the hypothesis of I. Zemtsovsky polygenesis music are noted. Identified relationship between the concepts of «absolute», «autonomous», «tool», «academic», «application», «program» music.
Keywords: «absolute music», an autonomous music, musical instrumentalist, instrumental music, philosophy Music.

Author Biography

Alla Chernoivanenko, Odessa National A. V. Nezhdanova Academy of Music.

Chernoivanenko Alla Dmytrivna
Ph.D. in the History of Art, Acting professor of the Department Of Folk Instruments of Odessa National A. V. Nezhdanova Academy of Music.

Музичне мистецтво і культура
Published
2014-10-10
How to Cite
Chernoivanenko, A. (2014). The concept of «absolute music» in the development of musical instrumentalism. Music Art and Culturе, (19), 212-224. https://doi.org/https://doi.org/10.31723/2524-0447-2014-19-212-224
Issue
No 19 (2014): Music art and culture
Section
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY