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  3. Vol 2 No 28 (2019): Music art and culture

DOI: https://doi.org/10.31723/2524-0447-2019-28-2
Published: 2019-06-19

Full Issue

  • Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

  • CHORAL PERFORMANCE SCORE: MYTH OR REALITY? (QUESTIONS OF CONTEMPORARY CHORAL ART)
    Ievgeniia Bondar
    5-18
    • PDF (Українська)
  • THE MAIN TENDENCIES OF PIANO EXPRESSIVE POSSIBILITIES IN THE CHAMBERINSTRUMENTAL ENSEMBLES OF S. LYUDKEVYCH
    Gabriella Astalosh
    19-28
    • PDF (Українська)
  • CONCEPT “MUSIC” IN A EARLY A. KARAMANOV’S COMPOSITION (“MUSIC № 2” FOR PIANO)
    Nina Dovgalenko
    29-44
    • PDF (Українська)
  • A. BRUCKNER’S WORLDVIEW IN LINE WITH THE SPIRITUAL AND STYLISTIC ATTITUDES OF THE AUSTRIAN CULTURE OF THE XIX CENTURY
    Anzhelika Tatarnikova
    45-59
    • PDF (Українська)
  • «WRITING TO ONEGIN. ONE MORE TRY» MINI-MONO-OPERA BY JU. GOMELSKAYA (YU. HOMELSKA)
    Tatiana Kvasnikova
    59-74
    • PDF (Русский)
  • FEATURES OF THE INTONATIONAL SEMANTICS OF THE OPERATIC HERO(ON THE EXAMPLE OF THE IMAGE OF HERMAN IN THE OPERA BY P. TCHAIKOVSKY “QUEEN OF SPADES”)
    Yevgen Avramenko
    74-83
    • PDF (Українська)
  • ARTISTIC AND AESTHETIC PROPERTIES OF THE IMAGE-MASK IN THE THEATER AND OPERA ART OF THE 20TH CENTURY
    Zhao Ziyuan
    84-94
    • PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

  • GENRE CONSTRUCTION OF THE MODERN ACADEMIC CHORAL MUSIC A CAPPELLA SYSTEM
    Elena Batovskaya
    95-105
    • PDF (Українська)
  • COMMUNICATIVE ASPECTS OF THE CONDUCTOR’S ACTIVITY
    Yaroslav Gorbal
    106-117
    • PDF (Українська)
  • COMPREHENSIVE ANALYSIS OF MULTI-LAYER HIERARCHICAL STRUCTURE OF UKRAINIAN FOLK DANCE: FROM HUMAN MOVEMENT TO MUSICAL INTONATION
    Olga Voronovskaya
    118-133
    • PDF (Українська)
  • PROBLEMS OF FORMING MUSICAL THINKING
    Yuliya Kapliyenko-Iliuk
    134-146
    • PDF (Українська)
  • RHETORICAL FUNCTIONS OF THE WORD IN M. I. GLINKA’S OPERAS
    Zhu Venfen
    147-156
    • PDF (Українська)
  • THE PHENOMENON OF MODALITY IN P. TCHAIKOVSKY’S SYMPHONIC WORK: A TYPOLOGICAL APPROACH
    Tzu Lingui
    157-169
    • PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

  • GENRE AND STYLE ASPECTS OF THE CHAMBER-VOCAL CREATION BY OLEG NEG
    Victoria Nikitcenko
    170-182
    • PDF (Українська)
  • CHILDREN’S CHOIR AS A PERFORMING PHENOMENON
    Larisa Dolinskaya
    183-198
    • PDF (Українська)
  • PIANIST’S WORK ON THE TEXT OF MUSICAL PIECE: SYSTEMATIC APPROACH
    Alexandra Sapsovich
    198-209
    • PDF (Русский)
  • V. VLASOV’S “CONCERTINO FOR VOICE AND BANDURA IN ROMANTIC STYLE” – A UNIQUE MUSICAL COMPOSITION OF MODERN BANDURA ART
    Maryna Berezutska
    210-222
    • PDF (Українська)
  • VLADYSLAV ZAREMBA’S PEDAGOGICAL ACTIVITY THROUGH MUSIC
    Tetiana Krulikovska
    222-235
    • PDF (Українська)
  • CAPRICCIO ON THE «CUCKOO’S CALL» BY GIROLAMO FRESCOBALDI
    Zhang Tiantian
    236-248
    • PDF (Русский)
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