Vol 2 No 29 (2019): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524-0447-2019-29-2

Published: 2019-10-16

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

LIFE AND ART: N. MEDTNER’S MUSIC AND ITS MEANING

Christoph Flamm

5-24
- PDF
NICHOLAS AND EMILY MEDTNERS, RICHARD WAGNER AND THE CULTURE OF THE RUSSIAN SILVER AGE

Maryna Romanovna Cherkashin-Gubarenko

24-45
- PDF (Русский)
TYUTCHEV IN THE WORKS OF N. MEDTNER

Yuliia Oleksandrivna Grybynenko

46-57
- PDF (Українська)
LIRICS PARADIGM IN E. STANKOVICH’S SIMPHONISM (FORTH SYMPHONY “LIRICA”)

Nina Serhiivna Dovgalenko

58-71
- PDF (Українська)
SONATA-REMINISCENZA AS THE TOP OF THE AUTHOR’S SYMBOLISM OF N. MEDTNER

Tatyana Aleksandrovna Shevchenko

72-84
- PDF (Русский)
ТHE MARIAN THEME IN THE SACRED MUSIC OF HANNA HAVRYLETS: OLD CANTICLE XVII CENTURY “THE MOTHER OF MERCY”

Tatiana Mykolaivna Maskovych

85-94
- PDF (Українська)
THE PROBLEM OF RELATIONSHIP OF SOUNDING AND NON-SOUNDING STRUCTURES IN MUSIC: A MUSICOLOGICAL APPROACH

Anton Vyktorovych Yeretskіy

95-108
- PDF (Русский)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

MODERN MEDTHODOLOGY: THEORETICAL PROLOGENES AND CREATIVE PROSPECTS

Aleksandra Yvanovna Samoilenko

109-122
- PDF (Русский)
ACCIDENTAL REGULATION OR REGULAR CASES? (ON THE ROLE OF SOME BIOGRAPHIC DETAILS IN THE HISTORY OF MUSICAL CULTURE)

Serhei Vytalevych Tyshko

123-136
- PDF (Русский)
N. MEDTNER’S ARTISTIC INDIVIDUALITY IN THE FIELD OF ILLUSION

Iryna Stepanovna Drach

136-155
- PDF (Русский)
SPIRITUAL-RELIGIOUS PREMISES OF N. MEDTNER’S ART CONSCIOUSNESS

Svetlana Viktorovna Osadchaya

155-168
- PDF (Русский)
THE CONCEPT OF MUSICAL CREATIVITY IN THE LITERARY HERITAGE OF N. MEDTNER

Valeriia Borysovna Marik

169-178
- PDF (Русский)
“THE PHYSICS” OF MUSIC PERCEPTION IN ANTIQUE PHILOSOPHY AND CARTESIAN MECHANISM

Viktor Yuriiovych Mishyn

179-187
- PDF
THE PHENOMENON OF “MASTER CLASS” IN MUSICAL ART: PROLEGOMENON TO THE CONCEPT

Kirill Ihorovych Chinchevyi

187-198
- PDF (Українська)
MODERN OPERA HOUSE AS A SUBJECT OF MUSICOLOGIST STUDIES: MUSICAL, HISTORICAL AND INTERPRETATION ASPECTS

Na Wang

198-208
- PDF

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

THE CHOIR IN “FAUST’S” OPERA CH. GOUNOD AS AN IMPORTANT COMPONENT OF MUSIC-DRAMATURGICAL EXPRESSIVENESS

Olena Mykolaivna Batovska

209-221
- PDF (Українська)
NIKOLAI MEDTNER IN THE MIRROR OF A CHAMBER AND ENSEMBLE CREATIVITY

Olha Konstantynovna Shcherbakova

222-234
- PDF (Русский)
DEVELOPMENT OF THE PIANO PERFORMER SOUND TECHNIQUE: A COMPREHENSIVE EMPIRICAL APPROACH

Galina Vsevolodovna Popova

235-250
- PDF (Русский)
SPIRITUAL AND SEMANTIC ASPECTS OF CHRISTIAN GLORIFICATION IN THE ENGLISH CULTURAL AND HISTORICAL TRADITION (ON THE EXAMPLE OF J. RATTER’S GLORIA)

Anzhelika Anatoliivna Tatarnikova

251-263
- PDF (Українська)
THE LAND IN IVAN FRANKO’S POETIC MYTH-MAKING AND IT’S MUSICAL INTERPRETATIONS

Khrystyna Tarasivna Kazymyriv

264-273
- PDF (Українська)
FEATURES OF THE SPATIAL AND TEXTURAL ORGANIZATION OF COMPOSITIONS FOR DOMRA WITHOUT ACCOMPANYING

Irina Vladimirovna Formanyuk

274-282
- PDF
SPECIFIC FEATURES OF VOCAL INTONATION IN OPERA: ON THE PROBLEM OF THE EMOTIONAL AND COGNITIVE CONTENT OF MUSIC

Du Wei

283-293
- PDF (Українська)