Vol 2 No 30 (2020): Music art and culture | Music art and culturе

Skip to main content Skip to main navigation menu Skip to site footer

Published: 2020-09-07

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

J. BRAHMS’S VOCAL CYCLE “FOUR STRICT TUNES”: SPIRITUAL AND GENRE-STYLE ASPECTS

Larysa Marativna Horelik

6-20
- PDF (Русский)
THE SPECIFICITY EMBODIMENT OF THE HOPAK GENRE IN OPERA AND DOMESTIC DANCE PRACTICE

Tetiana Oleksandrivna Kaznacheieva

21-31
- PDF (Українська)
THE SYNTHESIS OF ARTS IN THE CONTEXT OF FORMATION OF FRENCH MUSICAL MODERNISM IN THE PERIOD OF THE 20S OF THE XX-TH CENTURY

Kateryna Yuriivna Krasnoshchok, Iryna Ivanivna Poluboiarina

32-51
- PDF (Українська)
NEW PERFORMER DIALOGUES WITH THE COMPOSER’S HERITAGE OF VITALY GUBARENKO AND IRINA GUBARENKO

Nataliia Volodymyrivna Ostroukhova

51-63
- PDF (Українська)
GENERAL CHARACTERISTICS OF POPULAR MUSICAL INSTRUMENTS OF SLOVAKIA IN THE HISTORICAL ASPECT

Olga Romanivna Fabryka-Protska

63-75
- PDF (Українська)
STYLISTIC PHENOMENON OF JEANNE DEMESSIEUX: HISTORICAL AND COMPOSITIONAL ASPECTS

Hanna Pavlivna Kopiika

75-90
- PDF (Українська)
PIANO CREATIVITY OF COMPOSERS OF TRANSCARPATHIA AS A REFLECTION OF THE MULTINATIONAL CULTURAL AND ARTISTIC SPACE OF THE REGION

Lesia Bohdanivna Romaniuk

91-102
- PDF (Українська)
“RING OF FIRE” BY AVET TERTERYAN IN DEFINING THE INDIVIDUAL COMPOSITIONAL CONCEPT OF THE OPERA GENRE

Haiane Khachikovna Arutiunian

103-120
- PDF (Українська)
V. SILVESTROV’S BAGATELLE STYLE IN THE CONTEXT OF THE GENESIS OF THE BAGATELLE GENRE IN UKRAINIAN MUSIC

Kateryna Vadymivna Motsarenko

121-133
- PDF (Українська)
KANTATA OF K. STETSENKO “SHEVCHENKOVI” IN THE FLOW OF SPIRITUAL INSTRUCTIONS OF UKRAINIAN CULTURE OF THE BEGINNING OF THE XX CENTURY

Iryna Henadiievna Shevchuk

133-148
- PDF (Українська)
REINTERPRETATION OF GOGOL’S “DIARY OF A MADMAN” IN THE GUO WENJING’S OPERA WORK: FROM THE LITERARY SOURCE TO THE OPERA

Na Wang

149-160
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

ON THE COMPENSATORY FUNCTION OF “NEW SIMPLICITY” IN MODERN MUSIC

Oleksandra Andriivna Ovsiannikova-Trel

161-176
- PDF (Українська)
CONFLICT AS AN AESTHETIC PRINCIPLE AND A PSYCHOLOGICAL PHENOMENON IN THE PROCESS OF MUSICAL CREATIVE ACTIVITY

Olha Valeriivna Chebotarenko

177-187
- PDF (Українська)
THE “MEMORY OF CULTURE” IN RUSSIAN MUSIC OF BOUNDARY OF XIX– XX CENTURIES

Halyna Mykolaivna Dubrovska

188-199
- PDF (Українська)
CHRISTIAN ASPECTS OF THE POETICS OF “BORYS GODUNOV” BY M. MUSSORGSKY AND THEIR EMBODIMENTS IN THE STAGE VERSION OF A. TARKOVSKY

Tetiana Petrivna Knyshova

199-216
- PDF (Українська)
TONAL SYSTEM AS A SPATIAL MODEL: SYNERGISTIC APPROACH

Oleg Nikolayevich Taganov

217-230
- PDF (Українська)
AESTHETIZATION OF THE TRAGIC IN THE CONTEXT OF MODERN MUSICAL CULTURE ON THE EXAMPLE OF DRAMA CONCERT NO. 2 BY K. TSEPKOLENKO’S

Oleksandr Oleksandrovych Perepelytsia

230-244
- PDF (Українська)
PERIODIZATION OF THE UKRAINIAN RENAISSANCE: HISTORICAL AND CULTURAL APPROACH

Tetiana Petrivna Sukhomlinova

244-257
- PDF (Українська)
THE ASPECT OF TIME OF MUSICAL COMMUNICATION IN CHAMBER-ENSEMBLE PERFORMANCE (BY THE EXAMPLE OF A DOMRA ENSEMBLE)

Olena Valeriivna Burko

258-271
- PDF (Українська)
POLYMORPHISM AS A COMPOSITIONAL BASIS OF THE PASSION

Hanna Oleksiivna Savoniuk

271-283
- PDF (Українська)
MUSICAL AND PERFORMING COMMUNICATION AS A COGNITIVE PHENOMENON: CURRENT APPROACHES AND EVALUATIONS

Iryna Mar’ianivna Shpytalna

284-298
- PDF (Українська)
SEMIOLOGICAL ASPECTS OF MUSICAL AND CHOREOGRAPHIC ARTS: TOWARDS THE PROBLEM OF INTERACTION

Volodymyr Petrovych Kleshchukov

299-313
- PDF (Українська)
THE PERFORMANCE CONCEPT OF SOLOMIIA KRUSHELNYTSKA IN THE ITALIAN AND GERMAN OPERATIONS OF THE END OF THE 19TH – EARLY 20TH CENTURIES

Larysa Petrivna Mukhina

313-325
- PDF (Українська)
THE INFLUENCE OF THE ARTISTIC PRINCIPLES OF THE XIX CENTURY RUSSIAN ROMANCE ON THE CHAMBER AND VOCAL WORK OF S. SLONIMSKY: TRADITIONS AND INNOVATION

Wei Du

326-336
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

DISTANCE LEARNING IN CONCERTMASTERSHIP CLASS

Svitlana Oleksandrivna Serenko

337-355
- PDF (Українська)
TECHNICAL RECOMMENDATIONS FOR THE ROLE OF MOTHER IN THE OPERA “CATHERINE” BY N. ARKAS ON THE EPONYMOUS POEM T. G. SHEVCHENKO

Valentyna Borysivna Vasilyeva

355-367
- PDF (Українська)
PRINCIPLES OF “VOICE RELEASE” K. LINCLAUTER IN THE ACADEMIC VOCAL CLASS: MUSIC-HISTORICAL ASPECT

Iryna Volodymyrivna Berlizova

368-378
- PDF (Українська)
MUSIC AND PEDAGOGICAL ACTIVITY BY I. KLIMOVA AS THE COMPONENT OF FORMATION OF THE CULTURAL SPACE OF CHERNIHIV REGION

Oleh Pavlovych Badalov

378-387
- PDF (Українська)
EXPERIENCE OF INTERACTION BETWEEN VIOLIN AND DOMRA PERFORMANCE (ON THE EXAMPLE OF “CHILDREN’S ALBUM” FOR VIOLIN AND PIANO BY L. SHUKAYLO)

Alla Oleksiivna Melnyk

388-399
- PDF (Українська)
TIMBRE-ROLE AS A BIOLOGICAL CHARACTERISTIC OF THE VOCAL APPARATUS AND A CREATIVE INSTRUMENT OF AN OPERA SINGER

Victor Anatolyevich Mityushkin

400-413
- PDF (Українська)
THE GUITAR ART OF THE XX CENTURY: NATIONAL, REGIONAL AND PERSONAL PRACTICES

Stanislav Serhiiovych Zhovnir

414-428
- PDF (Українська)
TO THE PROBLEMS OF INTERPRETATION OF STANISLAV LYUDKEVYCH’S “CHABARASHKY” FOR PIANO DUET

Uliana Bohdanivna Molchko

429-440
- PDF (Українська)
B. BARTOK – B. GOODMAN: PRINCIPLES OF COMPOSER AND PERFORMER INTERACTION AS ILLUSTRATED BY “THE CONTRASTS” TRIO

Vladyslav Ihorovych Petryk

441-453
- PDF (Українська)
FEATURES OF THE PSYCHOMOTOR SKILLS OF A CHOIR CONDUCTOR IN THE CONTEXT OF MUSICOLOGICAL ANALYSIS

Veidi Gun

454-465
- PDF (Українська)
EDUCATIONAL, CONCERTO AND PERFORMING ACTIVITY OF PRC’S CONTEMPORARY VIOLONCELLISTS

Yue Shi

466-477
- PDF (Українська)
THE FIRST PIANO SONATA IN THE WORKS OF FRANZ SCHUBERT AS AN IMPETUS FOR THE DEVELOPMENT OF THE GENRE

Junsong Zhang

478-489
- PDF (Українська)