Music art and culturе

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No 48 (2026): Music art and culture

Published: 2026-05-27

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HISTORY AND THEORY OF MUSIC ART AND CULTURE

CHORAL SCENES IN THE CONTEXT OF A MUSICAL PERFORMANCE: FROM CLASSICAL OPERA TO A MUSICAL (survey excursion)

Ievgeniia Mykolaivna Bondar

7-20
- PDF (Українська)
THE PIANO QUINTET IN THE LIGHT OF MODERN STYLISTIC TRANSFORMATIONS: TYPOLOGICAL ASPECT

Liudmyla Viktorivna Zyma

21-31
- PDF (Українська)
SOUND PRODUCTION IN PIANO CULTURE: COMPONENTS AND MEANS

Viola Grigoryevna Demidova

32-44
- PDF (Українська)
FROM AUTHENTICITY TO POLYSTYLISTICS: REVITALIZATION OF ETHNOCULTURAL CODES IN CONTEMPORARY VOCAL, CHORAL, AND INSTRUMENTAL PERFORMANCE

Lyudmyla Vasylivna Stepanova, Natalya Heorhiivna Koehn, Tetiana Vsevolodivna Osadcha, Natali Mykhailivna Tolstova

45-61
- PDF (Українська)
CHILDREN’S CHORAL CREATIVITY IN THE CONTEXT OF THE DEVELOPMENT OF THE UKRAINIAN CHORAL TRADITION

Iryna Oleksandrivna Shatova

62-79
- PDF (Українська)
CHAMBER-VOCAL HERITAGE OF F. NADENENKO AND TRADITIONS OF MUSIC ACADEMICISM

Tetyana Petrivna Knyshova

80-93
- PDF (Українська)
PROGRAMMABILITY AS A MARKER OF INDIVIDUALIZATION OF FORM-MAKING IN THE MUSICAL ART OF THE 20TH CENTURY (USING THE EXAMPLE OF THE WORK OF O. RESPIGHI)

Oleksandr Oleksandrovych Korchev, Halyna Pylypivna Hlazunova

94-107
- PDF (Українська)
ТHE IMAGINATIVE UNIVERSE OF MARIA PRYMACHENKO IN KATERYNA KRAVCHENKO’S JAZZ CONCEPT

Yulia Volodymyrivna Kostandova

108-121
- PDF (Українська)
MUSICAL AND DRAMATURGICAL FEATURES OF BOHDAN PAVLOVSKY’S BALLET “SNOW WHITE AND THE SEVEN DWARFS”

Tetiana Petrivna Bogoieva

122-131
- PDF (Українська)
CHINESE POETIC TRADITION IN BRIGHT SHENG’S CHAMBER VOCAL MUSIC: FROM FOLK-SONG INTONATION TO HISTORICAL AND PHILOSOPHICAL LYRICISM

Zhang Zhihuan

132-147
- PDF (Українська)
GUO WENJING’S VIOLIN MUSIC AS A MODEL OF CONTEMPORARY CHINESE INSTRUMENTAL THINKING: MICROINTONATION, SONORISM, AND NEW VIRTUOSITY

Yuan Shuqin

148-166
- PDF (Українська)
STYLISH ANALYSIS AS THE BASIS OF PERFORMANCE UNDERSTANDING: NEW REQUESTS OF MODERN PIANO CREATIVITY

Luo Xiaoyi

167-179
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

SOURCE-STUDY AND PHENOMENOLOGICAL APPROACHES IN MUSICOLOGY: TOWARD THE PROBLEM OF THE EMPIRICAL STATUS OF HISTORICAL KNOWLEDGE

Svitlana Viktorivna Osadcha

180-196
- PDF (Українська)
MUSICAL ORTHOLOGY AND THE PHENOMENON OF VARIABILITY IN PIANO CREATIVITY

Li Jiafan, Oleksandra Ivanivna Samoilenko

197-209
- PDF (Українська)
POLYPHONIC TEXTURE AS A TEXTOLOGICAL FACTOR OF PIANO WORKS

Li Yuyan, Alla Dmitrivna Chernoivanenko

210-224
- PDF (Українська)
GENRE MODEL OF THE TWO-MOVEMENT SONATA IN THE WORK OF L VAN BEETHOVEN (ON THE EXAMPLE OF PIANO SONATA №24 OP. 78)

Anastasia Oleksiivna Bade, Polina Valentynivna Rud

225-239
- PDF (Українська)
THE SEMANTIC NATURE OF F. CHOPIN’S PIANO MELODY IN THE CONTEXT OF ROMANTIC MUSICAL POETICS

Nataliia Kyrylivna Tolpygo-Rusina

240-255
- PDF (Українська)
S. SHUSTOV’S POLYPHONIC THINKING: PRELUDE AND FUGUE IN E-FLAT MINOR

Svitlana Volodymyrivna Miroshnychenko

256-272
- PDF (Українська)
ACADEMIC FOLK INSTRUMENTS IN THE MODERN THEATRE SPACE OF UKRAINE: FUNCTIONAL-DRAMATURGICAL ASPECT

Sergey Evgenyevich Brikailo

273-287
- PDF (Українська)
STYLISH ANTYNOMY OF ACTUAL – RELEVANT IN MODERN COMPOSITION POETICS

Tetiana Anatoliivna Mishchenko

288-300
- PDF (Українська)
INTERPRETATIVE IDENTITY OF THE PHENOMENON OF “OPERA TIME”

Zeng Tao

301-312
- PDF (Українська)
HISTORICAL AND COMPOSITIONAL PREREQUISITES FOR THE FORMATION OF OPERA STUDY LOGIC AS A SYNTHETIC ARTISTIC-AESTHETIC PHENOMENON

Qi Jiansong

313-326
- PDF (Українська)
GENRE FACTORS OF PIANO INTONATION: A TEXTOLOGICAL APPROACH

Li Xuanxuan

327-339
- PDF (Українська)
CATEGORY OF ARTISTIC EMOTION IN OPERA STUDIES

Cao Sicong

340-351
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

INSTRUMENTAL MUSIC OF ITALIAN COMPOSERS OF THE 20TH CENTURY AS A SPACE OF INTERACTION BETWEEN BAROQUE TRADITION AND MODERNISM

Olena Mykhailivna Khil

352-369
- PDF (Українська)
BERTHA REINGBALD – THE UNFADING STAR OF ODESSA PIANO SCHOOL

Oleksandra Arkadiivna Sapsovych

370-381
- PDF (Українська)
MUSICAL LIFE IN ŁÓDŹ IN THE 2020S: THE ARTHUR RUBINSTEIN PHILHARMONIC WITHIN THE SYSTEM OF ACADEMIC MUSIC-MAKING

Valeriia Borysivna Marik

382-394
- PDF (Українська)
“THE SCHOOL OF OLIVIER MESSIAEN”: FEATURES OF THE DIALOGUE BETWEEN TEACHER AND STUDENTS

Olena Stepanivna Strylchuk

395-406
- PDF (Українська)
ARTIFICIAL INTELLIGENCE IN POP VOCAL ART: TRANSFORMATIONS OF SOLO AND ENSEMBLE PERFORMANCE

Yana Oleksiivna Kyrylenko, Mariia Maksymivna Babenko

407-423
- PDF (Українська)
MUSICAL DICTATION IN THE CONTEXT OF MODERN SOLFEGGIO: MEDIA-REPRESENTATIONS AS A MEANS OF OPTIMIZING THE DEVELOPMENT OF AUDITORY SKILLS

Oksana Volodymyrivna Serhiieva

424-437
- PDF (Українська)
CONCEPTUALIZATION OF THE EMISSION APPROACH TO MUSICAL-PERFORMING ACTIVITY: SOLO AND ENSEMBLE DIMENSIONS

Olena Rudolfivna Novska

438-450
- PDF (Українська)
THEORETICAL FOUNDATIONS OF TARGETED PROJECT MANAGEMENT IN SOCIOCULTURAL AND MUSICAL SPHERES

Sofia Porodyuk, Serhii Volodymyrovych Vitkalov

451-462
- PDF (Українська)
COGNITIVE STRATEGIES FOR THE FORMATION OF EXPRESSIVE PERFORMANCE IN CLASSICAL GUITARISTS WITHIN PROFESSIONAL TRAINING

Mikhaylo Olehovich Honcharov

463-473
- PDF (Українська)
ARTISTIC SPECIFICS OF PERCUSSION INSTRUMENTS AND THEIR IMPLEMENTATION IN THE WORKS OF COMPOSERS AND INSTRUMENTALISTS

Dmytro Valentynovych Zamyshlyayev

474-488
- PDF (Українська)
J. S. BACH'S PIANO WORK AS THE BASIS FOR THE DEVELOPMENT OF POLYPHONIC THINKING

Iaroslava Volodymyrivna Oliinyk, Viktor Viktorovych Chernii

489-500
- PDF (Українська)
SEMANTIC MODALITIES IN PIANO MUSIC OF THE ROMANTIC ERA: F. LIST’S IDEAS

Wang Yongdan

501-513
- PDF (Українська)
OPERA DUET AS A COMPOSITION-STYLISTIC FORM СHARACTERISTICS OF AN OPERA CHARACTER

Wang Chengjing

514-525
- PDF (Українська)
FUNCTIONS OF PROGRAMMING IN CHAMBER AND VOCAL ART: HISTORICAL AND THEORETICAL CONTEXT AND CURRENT TRENDS IN MODERN COMPOSITION CREATIVITY

Zhao Yi

526-539
- PDF (Українська)
VIOLIN SONATAS BY А. RUSSEL IN THE REPRESENTATION OF NATIONAL-STYLISTIC TRENDS IN THE DEVELOPMENT OF FRENCH MUSIC IN THE FIRST THIRD OF THE 20TH CENTURY

Zhao Xuan

540-552
- PDF (Українська)

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