Music art and culturе

Skip to main content Skip to main navigation menu Skip to site footer

Current Issue

No 46 (2025): Music art and culture

Published: 2025-12-23

Full Issue

Завантажити номер одним файлом (Українська)

HISTORY AND THEORY OF MUSIC ART AND CULTURE

METAPHYSICS OF THE HISTORY OF MUSICAL CULTURE IN PARALLELS RENAISSANCE- BAROQUE – NEO-RENAISSANCE-NEO-BAROQUE OF THE 20TH–21ST CENTURIES

Dariia Volodymyrivna Androsova, Bin Jing Liu, Оlena Mykolaivna Markova, Nataliya Borysivna Kadantseva, Sofiya Ihorivna Filippova

6-22
- PDF (Українська)
VOCALITY AS A STRUCTURAL PRINCIPLE OF SYMPHONIC THINKING IN 20TH-CENTURY ENGLISH MUSIC (ON THE EXAMPLE OF THE WORKS OF B. BRITTEN AND M. TIPPETT)

Valentyna Volodymyrivna Guzieieva

23-40
- PDF (Українська)
UKRAINIAN ROMANCE OF THE SECOND HALF OF THE 20TH – 21ST CENTURY AS AN OPEN FORM: STYLISTIC AND DRAMATURGICAL DIMENSIONS

Larysa Mykolaivna Loboda

41-53
- PDF (Українська)
FEATURES OF THE BASSOON REPERTOIRE OF COMPOSERS OF THE 20TH – EARLY 21ST CENTURIES

Volodymyr Hryhorovych Starko

54-64
- PDF (Українська)
FEATURES OF THE EMBODIMENT OF PSALMS TEXTS IN THE CHAMBER-VOCAL HERITAGE OF A. DVOŘÁK (ON THE EXAMPLE OF THE CYCLE «BIBLICAL SONGS»)

Tetyana Petrivna Knyshova

65-80
- PDF (Українська)
THE INTERMEDIAL SPACE OF CHAMBER-VOCAL MUSIC: THE POETRY OF OLEKSANDR OLES IN THE DIMENSION OF MUSICAL INTERPRETATION

Oleksii Ivanovych Stronskyi

81-98
- PDF (Українська)
GENRE MODELS OF CHINESE CHORAL ART: FROM SCHOOL SONG TO CONTEMPORARY VOCAL-SYMPHONIC FORMS

Xiaolin Lu

99-115
- PDF (Українська)
ORNAMENTATION IN THE INTERPRETATION OF J. HAYDN’S PIANO SONATAS

Songwei He

116-127
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

“CONCERT CHAMPÊTRE” FOR HARPSYCHOUS WITH ORCHESTRA BY F. POULENC IN THE RAINFALL OF THE TRADITIONS OF FRENCH NEOCLASSICISM

Vyacheslav Yakovych Dashkovsky

128-140
- PDF (Українська)
BIBLICAL NARRATIVES IN OPERA IN THE CONTEXT OF THE PROBLEM OF MUSICALSEMANTIC REPRESENTATION OF SACRED MEANING IN HISTORICAL PERSPECTIVE

Xue Zhang, Svitlana Viktorivna Osadcha

141-155
- PDF (Українська)
SYMPHONY IN THE WORKS OF JEAN SIBELIUS: THE QUESTION OF THE EVOLUTION OF THE GENRE

Inha Olehivna Shulha

156-164
- PDF (Українська)
THE INFLUENCE OF KENNY GARRETT’S WORK ON CONTEMPORARY MUSICIANS

Mykhailo Yuriiovych Sydorenko

165-176
- PDF (Українська)
OPERA THEMBROLOGY AS A BRANCH OF MUSICAL SEMIOLOGY: CURRENT DEFINITIONS

Lin Fengjia

177-188
- PDF (Українська)
SPECIFICITY OF IMAGE SYNTHESIS IN CHAMBER-VOCAL CREATIVITY AT THE END OF THE 19TH – 20TH CENTURIES

Li Yuchen

189-202
- PDF (Українська)
TIMBRAL DRAMATURGY AND THE CRISIS OF SUBJECTIVITY IN EARLY 20TH-CENTURY OPERA: TOWARD THE PROBLEM OF THE CORRELATION BETWEEN THE THEORY OF T. ADORNO AND THE OPERATIC THINKING OF F. SCHREKER

Tan Kongbo

203-218
- PDF (Українська)
VOCALISE AS A STRUCTURAL-SEMANTIC MODEL OF OLIVIER MESSIAEN’S COMPOSITIONAL THINKING: TOWARD THE PROBLEM OF THE AUTONOMY OF VOCAL SOUND

Jiang Yizhen

219-234
- PDF (Українська)
THE PHENOMENON OF OBJECTIFICATION IN THE PROCESS OF MUSICAL INTONATION: PIANO-PERFORMANCE SPECIFICITY

Li Juan

235-247
- PDF (Українська)
THE ANTINOMY OF THE SACRED AND THE PROFANE AS A FOUNDATION OF K. PENDERECKI’S NEO-RHETORICAL POETICS

Cheng Shuo

248-262
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

SEMANTICS OF SOUND AND LOGIC OF FORM: PERFORMANCE INTERPRETATION IN THE PIANO HERITAGE OF FELIX MENDELSSOHN

Olena Mykhailivna Khil

263-277
- PDF (Українська)
THE ESSENCE OF THE CONCEPT OF «INDIVIDUAL STILE» AS A SCIENTIFIC PROBLEM IN THE CONTEXT OF THE SINGERS’ CONCERT-CHAMBER ACTIVITY

Elina Konstantinovna Ekonomova

278-290
- PDF (Українська)
VOCAL ART AS AN AESTHETIC AND ETHICAL DIMENSION OF CONTEMPORARY MUSICAL CULTURE

Liudmyla Vasylivna Stepanova, Snizhana Dmytrivna Kliuieva

291-302
- PDF (Українська)
THE MEDIATORY FUNCTION OF THE CONDUCTOR’S ACTIVITY: LEVELS AND MEANING

Ioann Gennadiyovych Voronko

303-313
- PDF (Українська)
THE OBSERVER ON THE KOLIMA (ON THE EXAMPLE OF “PRELUDES AND FUGUES IN D-FLAT MAJOR NO. 15” FROM THE CYCLE “24 PRELUDES AND FUGUES” BY V.P. ZADERATSKY)

Natalia Viktorivna Makarova

314-331
- PDF (Українська)
IMPLEMENTATION OF A SYSTEM OF CREATIVE TASKS IN THE PROCESS OF MASTERING DIGITAL TECHNOLOGIES BY FUTURE MUSIC TEACHERS

Denys Olehovych Biliienko

332-346
- PDF (Українська)
INTERPRETATION OF NATIONAL INTONATIONALITY IN CLARINET CONCERT PERFORMANCE IN CHINA

Yang Liushuang

347-362
- PDF (Українська)
GENRE-COMPOSITION PRECONDITIONS OF THE EVOLUTION OF OPERA CANTILENA: VOCAL-PERFORMANCE ASPECT

He Shijie

363-374
- PDF (Українська)
GUITAR TRANSCRIPTIONS OF J.S. BACH'S FLUTE PIECES IN MODERN PERFORMANCE

Yang Jie

375-388
- PDF (Українська)

View All Issues