Music art and culturе

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No 40 (2024): Music art and culture

Published: 2024-12-30

HISTORY AND THEORY OF MUSIC ART AND CULTURE

A MODERN VIEW AT THE CREATIVE PERSONALITIES OF THE CHIEF CHOIRMASTERS OF THE ODESA OPERA

Nataliia Volodymyrivna Ostroukhova

6-20
- PDF (Українська)
«SEVEN WORDS OF THE SAVIOR ON THE CROSS» BY J. HAYDN: GENRE-INTONATIONAL AND PERFORMANCE ASPECTS

Halyna Serhiivna Shpak

21-38
- PDF (Українська)
CURRENT APPROACHES TO PERFORMANCE INTERPRETATIONS OF L. BEETHOVEN’S VARIATION CYCLES: A COMPARATIVE ANALYSIS AND MUSICOLOGICAL PERSPECTIVES

Anastasiia Pavlovna Muliar

39-51
- PDF (Українська)
LVIV WAGNERIAN IN THE DIMENSION OF ANTONIO RIBERA’S ARTISTIC PRACTICE

Maryana Vasylivna Ferendovych

52-64
- PDF (Українська)
THE MUSICAL PERFORMANCE «SHINEL» AS A FORM OF CONTEMPORARY VISION OF THE MUSICAL IN UKRAINE

Daryna Andriivna Suprunova

65-78
- PDF (Українська)
IMAGES OF FINNISH MYTHOLOGY IN THE SYMPHONIC MUSIC OF J. SIBELIUS (ON THE EXAMPLE OF THE SYMPHONIC POEM “TUONELA SWAN”)

Inha Olehivna Shulha

79-88
- PDF (Українська)
PROGRAM FACTORS OF THE CONCEPTUALIZATION OF MUSICALLY-IMAGINATIVE CONTENT IN PIANO CREATIVITY

Liu Lu

89-102
- PDF (Українська)
GENRE OF REQUIEM AND MOURNING-RITUAL PRACTICE OF THE ANGLICAN TRADITION

Zhu Xuanyang

103-120
- PDF (Українська)
ARTISTIC-LINGUAL PRINCIPLES OF VOCAL PERFORMANCE FORMS IN OPERA CREATIVITY: CRITERION OF EMERGENCY

Yu Guanjing

121-134
- PDF (Українська)
CURRENT ISSUES IN THE STUDY OF OPERA LIBRETTO IN THE CONTEXT OF ARTISTIC INTERPRETATION

Xiaoran Xu

135-150
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

CANON AS THE FOUNDATION OF THE FUNCTIONING OF THE ORTHODOX LITURGICAL CHANTING TRADITION

Svitlana Viktorivna Osadcha

151-166
- PDF (Українська)
SEMANTIC MEMORY AS AN UNBIASED ABSOLUTE OR A FACTOR OF THE PERFORMER’S OBJECTIVE READING OF THE ARTISTIC CONTENT OF THE WORK

Oleksandra Arkadiivna Sapsovych

167-178
- PDF (Українська)
INTERPRETATIVE FOUNDATIONS OF PERFORMANCE ACTIVITY IN THE LIGHT OF THE PROBLEM OF UNDERSTANDING

Valerii Yosypovych Regrut

179-195
- PDF (Українська)
TEXTURAL ALEATORICISM IN THE LATEST CHORAL WORKS OF CONTEMPORARY UKRAINIAN COMPOSERS

Hanna Pavlivna Kopiika

196-213
- PDF (Українська)
INTERDISCIPLINARY PREREQUISITES FOR THE STUDY OF THE CHILDHOOD THEME IN EUROPEAN MUSICAL ART

Natalya Valeriivna Izuhrafova

214-228
- PDF (Українська)
JAZZ-ROCK OR ROCK-JAZZ: TO THE PROBLEM OF GENRE DEFINITION OF THE WORKS OF UNIONIQUE MUSIC BY PHENOTYPE (USING THE SOFT MACHINE BAND’S LEGACY AS AN EXAMPLE)

Iryna Olehivna Paliy

229-248
- PDF (Українська)
HISTORICAL AND GENRE-SEMANTIC PROLEGOMENA OF MODERN CHORAL PRACTICE: FROM LITURGICAL ORIGIN TO A SPIRITUAL CONCERT

Olena Ivanivna Kharchenko

249-264
- PDF (Українська)
CYCLIC LOGIC OF SUITE COMPOSITION AND ITS HISTORICAL GENRE PRECEDENTS

Xu Nianjia

265-278
- PDF (Українська)
MUSICAL SYMBOLISM AS A DRAMATURGICAL FACTOR OF OPERA COMPOSITION: INNOVATIVE FEATURES OF MOZART’S OPERA POETICS

Qiu Xiaozhen

279-290
- PDF (Українська)
SOME ASPECTS OF THE FUNCTIONING OF THE CATEGORY OF OPERA TEXT IN CONTEMPORARY MUSICOLOGICAL DISCOURSE

Zhou Feng

291-305
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

ARTISTIC-IMAGERY AND PSYCHO-EMOTIONAL FOUNDATION OF VOCAL INTERPRETATION IN F. SCHUBERT’S BALLAD “ERLKÖNIG”

Larysa Mykolaivna Loboda

306-320
- PDF (Українська)
EXPERIMENTS IN SCOTT JOPLIN’S “EUPHONIC SOUNDS”: EXPANDING THE GENRE OF CLASSICAL RAGTIME

Pavlo Mykhailovych Muliar

321-334
- PDF (Українська)
SONATA NO. 2 “SLAVIC” BY VOLODYMYR ZUBITSKY (PERFORMANCE AND MUSICOLOGICAL ANALYSIS)

Serhii Vasylovych Targonii

335-353
- PDF (Українська)
THE VOCAL PART OF VIOLETTA VALERI FROM VERDI’S OPERA «LA TRAVIATA» IN THE ASPECT OF THE SPECIFICS OF PERFORMANCE BY OPERA SINGERS WITH A COLORATURA SOPRANO VOICE TYPE

Tetiana Anatoliyivna Lysenko

354-371
- PDF (Українська)
CREATIVE ACTIVITY AND CONDUCTING ATTITUDES OF D. ZAGRETSKYI IN THE LIGHT OF THE DEVELOPMENT OF THE ODESA CHOIR SCHOOL

Ioann Gennadiyovych Voronko

372-387
- PDF (Українська)
INTERACTIONS OF LEADING EUROPEAN SCHOOLS IN PIANO PEDAGOGY IN LVIV IN THE FIRST HALF OF THE 19TH CENTURY

Nadia Volodymyrivna Yavna

388-402
- PDF (Українська)
“THEATRICAL SONATA” FOR CLARINET AND PIANO BY KARMELLA TSEPKOLENKO: PERFORMANCE ANALYSIS AND INTERPRETATION

Oleksii Igorovich Tymkiv

403-418
- PDF (Українська)
THE CULMINATION OF THE FOUR-MOVE SONATA CYCLE OF F. SCHUBERT: PIANO SONATA C-MOLL, D 958

Junsong Zhang

419-429
- PDF (Українська)

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