Music art and culturе

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No 45 (2025): Music art and culture

Published: 2025-11-14

HISTORY AND THEORY OF MUSIC ART AND CULTURE

THE CREATIVE PERSONALITY OF THE ARTIST IN THE CONTEXT OF MUSIC HISTORY (BASED ON THE CYCLE «INCRUSTATIONS» BY O. KRASOTOV)

Ievgeniia Mykolaivna Bondar

7-21
- PDF (Українська)
CURRENT – NEO-BIEDERMEIER – ASPECT OF THE EXPRESSIVENESS OF L. BEETHOVEN’S FOURTH PIANO CONCERT

Liliya Mykhailivna Shevchenko, Dariya Volodymyrivna Androsova, Olga Oleksiivna Ryzhova, Tetyana Fedorivna Levytskaya, Olena Leonidivna Balan

22-37
- PDF (Українська)
SPIRITUAL-ETHICAL AND GENRE-STYLISTIC GUIDELINES OF L. BEETHOVEN'S VOCAL CYCLE «SIX SPIRITUAL SONGS OF GELLERT»

Larysa Marativna Gorelik

38-50
- PDF (Українська)
NEOFOLKLORISM IN CONTEMPORARY UKRAINIAN COMPOSER PRACTICE

Kostiantyn Valeriiovych Krepak

51-62
- PDF (Українська)
A COMPOSER’S INTERPRETATION OF THE CHARACTER OF ODARKA FROM S. S. GULAK- ARTEMOVSKY’S OPERA “A ZAPOROZHIAN COSSACK BEYOND THE DANUBE”

Vira Oleksiivna Revenko

63-77
- PDF (Українська)
KOLYMA PROPHET: PRELUDE AND FUGUE IN E-FLAT MINOR NO. 14 FROM THE CYCLE “24 PRELUDES AND FUGUES” BY VSEVOLOD ZADERATSKY

Natalia Viktorivna Makarova

78-95
- PDF (Українська)
TRANSFORMATIONS OF STAGE TRAGEDY IN THE ORATORIOS OF GEORGE FRIDERIC HANDEL: FROM THE ANCIENT ARCHETYPE TO THE AUTHORIAL INTERPRETATION OF THE GENRE

Ke Wang

96-111
- PDF (Українська)
INSTRUMENTAL-ORCHESTRIAL FACTORS OF FORMING MUSICAL THEMATICS IN AN OPERA

Wei Fang

112-126
- PDF (Українська)
FRANZ SCHREKER AND HIS ARTISTIC AND AESTHETIC VIEWS IN THE CONTEXT OF THE DEVELOPMENT OF EARLY 20TH-CENTURY MUSICAL THEATRE

Kongbo Tan

127-137
- PDF (Українська)
RELIGIOUS AND HISTORICAL DIMENSIONS OF OPERATIC DRAMATURGY IN ROSSINI AND VERDI IN THE CONTEXT OF THE AESTHETIC FOUNDATIONS OF THE ITALIAN RISORGIMENTO

Xue Zhang

138-150
- PDF (Українська)
SEMANTIC POLYPHONY AND THE REACCENTUATION OF GENRE IN KRZYSZTOF PENDERECKI’S MUSICAL WORKS

Shuo Cheng

151-165
- PDF (Українська)
J. BRAHMS’S VOCAL CYCLE «15 ROMANCES FROM L. TICK’S «MAGELОNЕ»» OP. 33 IN THE CONTEXT OF THE SPIRITUAL AND SEMANTIC GUIDELINES OF GERMAN ROMANTICISM

Yaolisha Fang

166-181
- PDF (Українська)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

THE POETICS OF DRAMA IN THE AUTONOMOUS SPACE OF MUSICAL FORM: TOWARD THE PROBLEM OF MUSICAL DRAMATURGY AS A PRINCIPLE OF ORGANIZING THE ARTISTIC PROCESS

Svitlana Viktorivna Osadcha

182-196
- PDF (Українська)
THE CONCEPT OF THE NOOSPHERE IN THE STRUCTURING OF THE CULTURAL ENVIRONMENT AND THINKING ABOUT CULTURE AND MUSICAL GENRES

Svitlana Volodymyrivna Miroshnychenko, Alina Viktorivna Kopeikina

197-210
- PDF (Українська)
THE VOCAL SOUND AS AN AESTHETIC AND COMMUNICATIVE PHENOMENON: THEORETICAL FOUNDATIONS OF VOCAL-PERFORMATIVE SEMIOSIS

Anatolii Valentynovych Nosulya

211-225
- PDF (Українська)
THE SACRED CODE IN DIGITAL CULTURE AND PERFORMATIVE PRACTICES

Galyna Viktorivna Volkova

226-241
- PDF (Українська)
PIANO-PERFORMANCE INTONATION IN THE CONTEXT OF MODERN MUSICAL SPEECH

Juan Li

242-254
- PDF (Українська)
HISTORICAL AND THEORETICAL FOUNDATIONS OF THE FORMATION OF THE GENRE MODEL OF THE VOCALISE AS A FORM OF AUTONOMOUS SONIC THINKING

Yizhen Jiang

255-269
- PDF (Українська)
OPERA VOCAL TIMBRE AS A SUBJECT OF MUSICIAN ANALYSIS

Fengjia Lin

270-281
- PDF (Українська)
OPERA CANTYLE IN THE LIGHT OF GENRE-STYLE TEXTOLOGY APPROACH

Shijie He

282-295
- PDF (Українська)
CATEGORY OF SYNTHESIS IN MUSICIAN DISCOURSE AND MUSIC-PERFORMING PRACTICE

Yuchen Li

296-308
- PDF (Українська)
INSTRUMENTAL CONCERT AS A COMMUNICATIVE MODEL: THE CLARINET IN THE SYSTEM OF EUROPEAN MUSICAL THOUGHT

Liushuang Yang

309-323
- PDF (Українська)
HISTORICAL-THEORETICAL AND AESTHETIC-COMMUNICATIVE FACTORS OF THE OPERA CREATIVITY OF MODERN COMPOSERS

Chen Jiang

324-338
- PDF (Українська)
J. HAYDN’S PIANO SONATAS FROM THE ASPECT OF GAME LOGIC

Songwei He

339-351
- PDF (Українська)
THEORETICAL APPROACHES TO THE IDENTITY OF THE CHORAL CONDUCTOR

Oleksandr Petrovych Vila-Botsman

377-387
- PDF (Українська)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

ТO THE ISSUE OF FORMATION AND DEVELOPMENT OF DIRECT ARTISTIC TECHNIQUE

Svetlana Аnatolyevna Murza, Alla Dmitrievna Chernoivanenko

352-363
- PDF (Українська)
THE CREATIVE PERSONALITY OF А. VOROKHOBIN IN THE FORMATION OF THE ODESSA GUITAR SCHOOL: HISTORICAL PREREQUISITES AND PROSPECTS FOR DEVELOPMENT

Elena Anatolievna Khoroshavina

364-376
- PDF (Українська)
THREE DEGREES OF THE THEORY OF PERFORMANCE AND SAXOPHONICAL PRIORITY IN THE MANIFESTATION OF ITS ONTOLOGICAL COMPONENT IN THE THEORY

Mykhailo Vasylovych Krupei

388-399
- PDF (Українська)
FEATURES OF ENSEMBLE INTERACTION IN G. FAURÉ’S PIANO QUARTET NO. 1

Zhanna Viktorivna Dedusenko, Maksym Andriyovych Chub

400-414
- PDF (Українська)
ARTISTIC AND PEDAGOGICAL ACTIVITY OF YEVHEN HUNKO AND VOLODYMYR SEMCHYSHYN IN THE CONTEXT OF THE DEVELOPMENT OF CHORAL ART IN THE TERNOPIL REGION AT THE TURN OF THE 20TH AND 21ST CENTURIES

Bohdana Mykhailivna Atamanchuk Eleonora, Yaroslava Volodymyrivna Toporivska

415-431
- PDF (Українська)
«СAPRICCIO ARABE» BY FRANCISCO TARREGA: INTERPRETOLOGICAL PERSPECTIVE

Oleksandr Ivanovych Krygin, Olga Valentinivna Tsehmistro

432-444
- PDF (Українська)
THE FANTASY GENRE IN THE GENERAL PIANO CURRICULUM AT INSTITUTIONS OF HIGHER ART EDUCATION

Olena Vitaliivna Pohoda

445-460
- PDF (Українська)

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